They Reminisce Over You
Pete Rock looped a Tom Scott saxophone line, and CL Smooth's eulogy for a lost friend still aches.
Pete Rock looped a Tom Scott saxophone line, and CL Smooth's eulogy for a lost friend still aches.
Jones's sitar made it the first number one to feature the instrument, and Decca added the comma by mistake.
Prince wrote it for a side project that went nowhere; O'Connor's tears in the video were real, and unplanned.

Wordless humming answered by a pocketknife slide, an 1792 hymn tune NASA put on the Voyager Golden Record.

Seventeen days between the Life photographs from Kent State and four voices cutting it live in a Los Angeles room.

A 1907 hymn rewritten into a mother's funeral, with A.P. Carter tightening the grief and Maybelle's guitar holding it.
A wordless chorus half of indie rock then copied, and Bowie sang it onstage with the band in 2005.

Fred Rose wrote it in the forties; Nelson's Texas version had Columbia's boss asking why he'd sent a demo.
Kunkel's brushes, Carole King's piano, and three verses that hold a death, an addiction and a band's collapse.

Hynde cut it weeks after Honeyman-Scott's death, with Rockpile's Bremner on guitar and a Sam Cooke chant behind her.

Cantrell wrote it for the Singles soundtrack while grieving Andrew Wood; Starr's bass line and two voices doing the mourning.

Every instrument distorted at Schneider's Denver studio, and Mangum turns an elegy for Anne Frank into pure forward momentum.
Two minutes on addiction, taped live at UCLA's Royce Hall in January 1971 and placed unchanged on Harvest.
Recut after Eazy-E's death, the elegy spent eight weeks at number one and won the group a Grammy.

Four guitar chords never change while Stevens sings a Bible study, a friend's death, and a question for God.

Three days to finish the music in Cuccurullo's home studio, and an elegy for a dead friend became their comeback.

Will Jennings helped finish a lyric Clapton wrote after his four-year-old son died; three Grammys followed in 1993.

McCready's riff was a Ten outtake, and Vedder improvised a lyric he has been rewriting onstage ever since.

Pimp C built it on an Isley Brothers loop, Ronnie Spencer sings the hook, and Texas rap found its elegy.