
You Got It (The Right Stuff)
Maurice Starr wrote and produced it, Jordan Knight and Donnie Wahlberg took the leads, and Britain crowned it a year later.

Maurice Starr wrote and produced it, Jordan Knight and Donnie Wahlberg took the leads, and Britain crowned it a year later.

Bubba Strait pitched it off a rodeo friend's CD; his father left it on the coffee table, then cut it.

Five Mount Vernon high schoolers, a Billy Myles song, and Bob Scholl's lead floating over the sweetest doo-wop changes.

An Oscar nominee from the Footloose soundtrack, George Duke producing, and Williams audibly grinning through every chorus.

Stargate cut it at Battery Studios with Espen Lind on acoustic guitar, and Brown took it to number two.

Sparkling cigarettes became a silver moon in the final lyric, and She's All That made it a number two.

Written on tour opening for Journey, buried on a movie soundtrack first, and number one nearly two years later.

Rzeznik hid a teenage pregnancy story inside the sunniest jangle of 1998; it topped Modern Rock and Adult Top 40.

Feldman overheard a schoolgirl brushing off a boy, and the Angels' demo for the Shirelles went out as is.

Maurice Starr built New Edition as an answer to the Jackson 5, and this hit number one in Britain.

A leak forced its release nearly two weeks early, and Swift's lead Speak Now single still debuted at number three.

Sidney Lippman and Sylvia Dee handed Cole a teenage lament, and Capitol got five weeks at number one.

Swift wrote it in roughly twenty minutes for a ninth-grade talent show, then spent six weeks atop the country chart.

Cut as a throwaway B-side to a Patti Page cover, and doo-wop crossed into the pop top ten.

A twelve-string riff swapped for six and doubled for thickness, then a chorus about a summer Adams never actually had.

Schneider got the fuzz from tube preamps and compression, not pedals, and Mangum sings childhood into two minutes flat.
That hook is an oboe, not an ocarina, and Cher disliked the song Bono wrote for them in their basement.

Bonnie McKee rewrote it repeatedly until Benny Blanco suggested studying a Teenagers single, and one word cracked the chorus open.

Darlene Love sang lead at Gold Star, Hal Blaine drummed, and the Crystals got the credit for a number one.

Fiddle, banjo and a tempo shifting gears, then one week at number one between Billie Jean and Beat It.