
Play it Again
Davidson and Gorley's tailgate story carried Bryan to the top two Country Airplay spots at once, a chart first.

Davidson and Gorley's tailgate story carried Bryan to the top two Country Airplay spots at once, a chart first.

Jack & Diane, Only the Good Die Young, Rock'n Me: the songs Chesney says drag him back.

Writer's block became the subject; Bedingfield turned her failure to finish a love song into a UK number one.

Fogelberg wrote it for his father Lawrence, a working bandleader who lived to hear it and talk about it.

A Mano Negra tune remade over a Black Uhuru groove, and the same melody resurfaces twice more on Clandestino.

Jackson leaned against a wobbly jukebox in a Virginia lounge, left with the title, and George Jones got name-checked.
KayGee looped James Brown and Peter Gabriel, and Spike Lee filled the Brooklyn video with Tupac and Queen Latifah.

A club patron asked the band's drummer for funky music; Parissi wrote the answer on an order pad.

Mike Mogis produced it; the Söderberg sisters name Gram and Emmylou, June and Johnny, and sing harmony like devotion.

Started life as "The Fat Man", written by Bell for his teased son, and Philippe Wynne made it fly.

DJ Jazzy Jeff's scratches, the Jazzyfatnastees on the hook, and a live band swinging harder than any sampler.
Mothership Connection opens as a pirate broadcast from space, with Maceo Parker and Fred Wesley newly defected from James Brown.
Self-produced by the Wailers, and the track that opened the Lyceum nights Island taped in July 1975.

Washboard, kazoo and a gut bass in the lyrics, Fogerty's imaginary jug band playing for nickels.

Michael Bivins raps their discovery story over Dallas Austin's new jack swing, with a doo-wop turn at the close.
Tucker was pregnant, so Doug Yule played drums, bass and the solo; Reed's Jenny finds her life on the radio.

Cody ChesnuTT's four-track bedroom original rebuilt by a live band, his guitar hook intact, Questlove pushing the tempo up.

Sebastian's autoharp opens it, written after he watched a teenager dance at the Night Owl in Greenwich Village.

Moreve's riff, Monarch's feedback spliced onto the front by the engineer, and words Kay wrote about his new stereo.

Lamm looked at his watch at 3:35 a.m. and had a title; Cetera sang it with his jaw wired together.