
Just Another Day In Paradise
Vassar and Craig Wiseman built it from household mishaps and money worries, and it became his first country number one.

Vassar and Craig Wiseman built it from household mishaps and money worries, and it became his first country number one.

Bubba Strait pitched it off a rodeo friend's CD; his father left it on the coffee table, then cut it.

Tim McGraw cut it first and passed; Chesney took it to six weeks at number one on country radio.

Seven weeks atop the country chart in 2002, and a bartender's story Jim Collins and Craig Wiseman wrote.

Twain got the idea at a soccer match in Italy; Bryan White sang the original duet version.
Three Lewis brothers wrote it, David Lewis and Barbara Weathers sang it, and the band's only number one arrived.

Wells and Black's first song ever cut by a major star, and Strait took a playground note to number one.

Mercer wrote it in his living room about his marriage, with Greg Kurstin on guitars, Mellotron and piano.

Baldry talked Elton out of a wedding in 1968, and Taupin wrote him into the chorus as Sugar Bear.

Jackson wrote it alone, a whole marriage from courtship to old age, and country radio held it at number one.

Holland-Dozier-Holland hid behind the pseudonym Edythe Wayne, Dennis Coffey added electric sitar, and Britain gave it six weeks on top.

Written as a reply to everyone who doubted her marriage to Mutt Lange, and it won two country Grammys.

Pizzicato cello, a title lifted from Douglas Coupland, and a circus wedding video that won Video of the Year.

Snowed into a Prince Edward Island farmhouse, Rankin wrote a proposal song; VanGaalen cut it in Calgary.

Richard Carpenter recognized Paul Williams singing a bank commercial and asked whether a whole song existed underneath.

Red Bird's first single, written by Barry, Greenwich and Spector, and it knocked the Beatles off number one.

John Stewart wrote it after a day of pure daydreaming; Tork's piano and Jones's lead did the rest.

Michael programmed the LinnDrum in an evening, wrote the vocal next morning, and turned marital dread into a groove.

Lynn and her sister Peggy Sue wrote it, and the album became country music's first gold record by a woman.

Steve Stevens' guitar cutting through Keith Forsey's production, and Idol sneering his way through somebody else's wedding.