
Just Another Day In Paradise
Vassar and Craig Wiseman built it from household mishaps and money worries, and it became his first country number one.

Vassar and Craig Wiseman built it from household mishaps and money worries, and it became his first country number one.

A 1797 Clementi sonatina rondo underneath, lyrics written in about twenty minutes, and Collins taking it to number one.

Eight tracks at Fantasy Studios, every sound McFerrin's own voice, and the first a cappella number one ever.

Rucker quotes Blood on the Tracks in the verses; the 1995 out-of-court settlement with Dylan cost the band $350,000.

Crow and Jeff Trott wrote it on a plane out of rainy Portland; Liz Phair turned up to sing backup.

Six weeks atop country radio and Billboard's top single of 2000, all built on a hushed opening verse.

Written late in the Malibu sessions on the street that gave the album its name, Boyd making stillness sound enormous.
Donaldson wrote the tune waiting his turn at a Friars Club billiard table; Austin's soft croon sold millions.

Chatto's cello and a chiptune blip riding house four-four, with Jess Glynne's first number one on top.

Larry Knechtel on piano, Jim Gordon on drums, and a chorus that arrives like the evening it describes.

Duane heard Betts's song, told him to sing it himself, and traded solos on one of his last sessions.

Tempchin wrote it on a poster back while sleeping on a club floor; Leadon's B-bender guitar does the rest.
Two Frenchmen, an American singer they shared Montmartre with, and the softest thing on Moon Safari.

Sebastian was chasing the straight-eighth lilt of 'Baby Love' on tour with the Supremes; McCartney answered with 'Good Day Sunshine'.

Half Pint's Loving supplies the chorus, Lady Madonna the verse melody, and Nowell was gone two months before the album.

Van Zant and Rossington wrote it in an hour, putting his grandmother's and Rossington's mother's advice into song.