
Simple Man
Van Zant and Rossington wrote it in an hour, putting his grandmother's and Rossington's mother's advice into song.

Van Zant and Rossington wrote it in an hour, putting his grandmother's and Rossington's mother's advice into song.

Half Pint's Loving supplies the chorus, Lady Madonna the verse melody, and Nowell was gone two months before the album.

Sebastian was chasing the straight-eighth lilt of 'Baby Love' on tour with the Supremes; McCartney answered with 'Good Day Sunshine'.
Two Frenchmen, an American singer they shared Montmartre with, and the softest thing on Moon Safari.

Tempchin wrote it on a poster back while sleeping on a club floor; Leadon's B-bender guitar does the rest.

Duane heard Betts's song, told him to sing it himself, and traded solos on one of his last sessions.

Larry Knechtel on piano, Jim Gordon on drums, and a chorus that arrives like the evening it describes.

Chatto's cello and a chiptune blip riding house four-four, with Jess Glynne's first number one on top.
Donaldson wrote the tune waiting his turn at a Friars Club billiard table; Austin's soft croon sold millions.

Written late in the Malibu sessions on the street that gave the album its name, Boyd making stillness sound enormous.

Six weeks atop country radio and Billboard's top single of 2000, all built on a hushed opening verse.

Crow and Jeff Trott wrote it on a plane out of rainy Portland; Liz Phair turned up to sing backup.

Rucker quotes Blood on the Tracks in the verses; the 1995 out-of-court settlement with Dylan cost the band $350,000.

Eight tracks at Fantasy Studios, every sound McFerrin's own voice, and the first a cappella number one ever.

A 1797 Clementi sonatina rondo underneath, lyrics written in about twenty minutes, and Collins taking it to number one.

Vassar and Craig Wiseman built it from household mishaps and money worries, and it became his first country number one.