
Angel (Sarah McLachlan)
Piano, upright bass, a drum machine, and McLachlan writing about a Smashing Pumpkins keyboardist's overdose with startling tenderness.

Piano, upright bass, a drum machine, and McLachlan writing about a Smashing Pumpkins keyboardist's overdose with startling tenderness.

Rucker flipped the genders when he wrote it; by his account the addiction in the song was his own.

Hoyt Axton's mother held the publishing back over its language; Easy Rider then made Steppenwolf's version unavoidable.
Mann and Weil wrote it about Gerry Goffin's drug problems, by Mann's account; the Raiders took it to number four.

Boi-1da's beat, Resto's keyboards, and Eminem setting the Slim Shady mask aside; it debuted at number one.

Two verses, two voices, and Jerry Douglas's Dobro; Bill Anderson and Jon Randall wrote country's bleakest modern ballad.

Slade wrote it after mentoring a troubled teenager at a Denver camp, and Grey's Anatomy did the rest.

Cut in September 1994 at bandmate Tony Lash's house, trumpet and harmonica stripped away until only guitar and dread remain.

An answer song to "Walk on the Wild Side," mistaken for a summer hit; its real subject is addiction.

Named for the tranquilizer the Hartnolls' mother took, with Kirsty Hawkshaw's vocal reversed and stretched across nine minutes.

Kanye West built the beat from Nina Simone's "Sinnerman", and Kweli turned survival into his commercial breakthrough.

Robert DeLeo worked it out as a bossa nova on nylon strings; Weiland nailed the Atlanta vocal in one take.

Frusciante's slide guitar on his first record back with the band, then sixteen weeks atop Billboard's modern rock chart.

Master Henry Gibson's percussion over Lucky Scott's bass, Mayfield indicting the drug trade where the film saw only glamour.

A lullaby melody hiding a song about alcohol, and one of three Either/Or tracks in Good Will Hunting.
Two minutes on addiction, taped live at UCLA's Royce Hall in January 1971 and placed unchanged on Harvest.

Cantrell wrote it for the Singles soundtrack while grieving Andrew Wood; Starr's bass line and two voices doing the mourning.

Cuomo's working title was "The Classic Rock Song"; Ocasek produced, and the clean offbeat chords carry a family's addiction.
Kunkel's brushes, Carole King's piano, and three verses that hold a death, an addiction and a band's collapse.