
One Of Us
Bazilian wrote it in one night to impress the woman he later married; Osborne's vocal earned three Grammy nominations.

Bazilian wrote it in one night to impress the woman he later married; Osborne's vocal earned three Grammy nominations.

Barry Mann and Bill Medley both cut it first; Neville's tenor against Ronstadt is what finally carried it to a Grammy.
Coverdale began it as a Tina Turner idea, Geffen told him to keep it, and it climbed to number two.

Jesse Valenzuela had the chords by the time the sessions ended; the double A-side climbed to number nine.

Joel woke with the melody, tried to wash it away in the shower, and gave in to gospel.

Five weeks at number one, Rodney Jerkins's skittering beat, and an actress rebuilt overnight as a pop star.

A basement demo meant only for publishers, until an Atlanta college station put it into rotation and Atlantic came calling.

Elliot Wolff wrote and programmed it alone, Fincher shot the video in black and white, three weeks at number one.

Fifteen years old and stuck in a math class when Arnold wrote it; he sang it from the drum stool.

Dre objected to a love song on a gangsta album, then mixed it into four weeks atop the Hot 100.

Paich's pounding piano intro, Porcaro's triplet hi-hat, and Lukather's solo, all on a debut single that hit number five.

Jam and Lewis wrote and produced it for Johnny Gill's first New Edition album, and it topped the R&B chart.

Recorded at Sweet Tea in Oxford, Mississippi, and it turns a hard look at mortality into something close to serene.

Koenig named it for a Columbia classmate from his Buddhism class, and the final minute cracks wide open.
A decade after the Shirelles made it the first girl-group number one, King slowed it down with Taylor and Mitchell.

Six-times platinum for a soundtrack ballad: Rick Nowels producing, Craig Armstrong's strings, Del Rey singing Daisy Buchanan's doubt.

A demo Janet Jackson's camp turned down, which Houston rode to number one over her cousin Dionne Warwick.
Seven weeks at number one for Neil Diamond's song, with Diamond himself on acoustic guitar behind Dolenz's lead.

Chris Bear started the piano line on a Cape Cod weekend; Victoria Legrand's stacked harmonies make the rest glow.

A few minutes' work by Clark about a girlfriend from the Ciro's residency, and a refrain hinging on "probably".

One Korg M1 preset, stripped to vocal and kick, and Beyonce was still borrowing that organ in 2022.

Armstrong wrote the lyrics alone in an East Village apartment, and that loneliness won Record of the Year.

Kerry Livgren's last-minute addition to Leftoverture opens a cappella, then hands Kansas their first top forty hit.

Taiko drums against an 808 heartbeat, Auto-Tune everywhere, and a version West scrapped and recut after the fan backlash.

Seventeen weeks in the American top ten, and a ballad Stigwood refused to let them hand to Yvonne Elliman.

Spanish backing vocals translated by the tape operator's mother over the phone, and a jeans advert made it number one.

Jill Scott's hook, re-sung by Badu at the label's request, and Questlove driving the outro into drum and bass.

Berry's chords, Buck's arrangement, and lyrics Stipe wrote at the last minute about Andy Kaufman, Elvis impression included.

Mitchell was reading Henderson the Rain King on a plane, looked out at the clouds, and started writing immediately.

A stomping riff, a desert studio in Joshua Tree, and the band's first single to reach the Billboard Hot 100.

King wrote the melody and the string arrangement, and a girl group topped the Hot 100 for the first time.