
War and Peace
Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

Old Karamazov is murdered and each of his three sons had reason. Around the crime Dostoevsky stages the fiercest argument fiction has ever made about God and the suffering of children.

Anna leaves her husband for a young officer while, in the other half of the book, Levin farms and marries and worries about God. Tolstoy gives both lives the same total sympathy.

Raskolnikov murders a pawnbroker to prove he stands above ordinary morality, then comes apart as a magistrate circles him. It reads like a thriller and works like a confession.

American fiction has attempted nothing bigger. Ahab drags a whaling crew across the world after the whale that took his leg, and Melville keeps stopping the hunt to explain whales.

Dorothea Brooke marries a dry scholar for the wrong reasons and a gifted doctor lets small compromises close around him. Eliot knows more about how people actually fail than any English novelist.

Elizabeth Bennet and Darcy dislike each other on sight and spend the novel being wrong. Austen wrote conversation better than anyone in English, and readers return to it their whole lives.

Emma Bovary reads romances, takes lovers, and runs up debts trying to feel something in a provincial town. Flaubert weighed every sentence, and modern fiction's idea of style begins with him.

Huck runs off down the Mississippi with Jim, who is escaping slavery, and the moment he decides he would rather go to hell than turn him in is the hinge of American fiction.

Whitman threw out rhyme and meter to write the body, the country, and himself at full voice. In "Song of Myself" he speaks straight at you, delighted that you finally showed up.

Having learned everything and felt nothing, a scholar bets the devil that no moment will ever satisfy him. Then Mephistopheles introduces him to a girl named Gretchen, and Goethe follows the damage down.

More creatures are born than can survive, they differ, and the useful differences carry forward. Darwin builds that one plain idea into an explanation of every living thing on earth.

Dickinson wrote nearly eighteen hundred poems in a Massachusetts bedroom, on death, God, and her own mind, and remade the English lyric. Begin with "Because I could not stop for Death."

Onegin coolly refuses a country girl's love letter, then kills a friend in a pointless duel. Pushkin wrote it in verse so quick and alive that Russians still know stanzas by heart.

Pip, a blacksmith's boy, is handed a fortune by an unknown benefactor and turns snob. Miss Havisham waits in her rotted wedding dress, and Dickens makes the shame of low birth unbearable.

Heathcliff, a foundling on a Yorkshire farm, spends his life destroying two families over the girl he loves. The poet Rossetti called it a fiend of a book, its action laid in hell.

Dickens's supreme achievement, and his angriest. A lawsuit over a will has dragged through the courts so long that nobody alive understands it, and its fog settles over every life in England.

English fiction found its first fierce female voice in Jane, plain and poor and conceding nothing. She survives a brutal charity school, becomes a governess, and loves an employer with a secret.

Jean Valjean serves nineteen years for stealing bread, breaks parole, and is hunted the rest of his life by a relentless policeman. Around them Hugo builds the century's great argument for mercy.

Marlow steams up the Congo to retrieve an ivory agent gone strange upriver. Conrad found empire hollow, and the novelist Achebe's charge of racism has kept the book under argument ever since.

No foreigner has ever read America this well. Touring the young republic in 1831, Tocqueville found equality rather than liberty the engine of the place, and warned that majority opinion smothers free minds.

Holed up in a shabby Petersburg room, a spiteful clerk talks at you, insisting people will wreck their own lives to prove they are free. Every alienated narrator since speaks in his voice.

Julien Sorel, a carpenter's son with a memorized Bible and enormous nerve, climbs out of provincial France into Paris society by way of two women. Stendhal reports each calculation without excusing him.

Alice follows a rabbit down a hole into a country where logic runs sideways, ruled by a queen who wants everyone beheaded. Carroll freed children's books from having to teach anything.

Zarathustra comes down from his mountain to announce that God is dead and man is something to be overcome. Nietzsche wrote it as scripture rather than argument, and readers take it personally.

Modern poetry starts here, in gorgeous verse about boredom, rot, and the crowds of Paris. Baudelaire opens by calling the reader his hypocrite brother, then makes ugliness beautiful.

Hegel tracks the mind from bare sensation to full self-knowledge, each stage collapsing under its own contradictions into the next. His fight between master and slave has been argued over ever since.

Mill sets the limit that still governs the argument: society may interfere with you only to prevent harm to others. Silence an opinion and you rob everyone, including the people who are right.

Philosophers smuggle their own prejudices in as truth, Nietzsche says, and the morality they defend was invented by the weak. He writes in short bursts aimed straight at the reader.

Two years in a cabin by a Massachusetts pond, and the permanent argument against a life spent earning. Thoreau writes about beans, loons, and why most people lead lives of quiet desperation.

Isabel Archer, an American with opinions and a sudden fortune, turns down good proposals and marries badly in Italy. James stays so close inside her mind that her mistakes feel like your own.

Emma Woodhouse is rich, clever, and sure she knows what everyone needs, so she arranges marriages and ruins them. Austen puts you inside her head until you miss what she misses.

Tess, a poor farm girl, is sent to claim kinship with rich relatives, and what happens there decides the rest of her life. Hardy called her a pure woman and Victorian England erupted.

Traveling the Russian provinces, a charming stranger buys serfs who have died but still count on the tax rolls. Gogol's landowners are grotesque and hilarious, and then the laughter turns on you.

Prince Myshkin returns to Russia from a Swiss clinic, epileptic and incapable of guile, and Petersburg cannot decide whether to adore him or use him. The world takes a genuinely good man apart.

Puritan Boston fastens a red letter to Hester Prynne's dress for adultery, and she refuses to name the child's father. Hawthorne turns public shame into something you feel in your body.

Put to work in a warehouse as a boy, David escapes to an aunt he has never met. Dickens gave him his own childhood, and loved this novel above all the others.

Nora Helmer forged a signature to save her husband's life and has been paying the debt in secret ever since. The play ends on a closing door that modern theater still hears.

Wilde gives two idle men imaginary people, a wicked brother and an invalid friend, to escape their obligations, then sets them courting women who will marry no one but a man named Ernest.

Workers create more value than their wages return, Marx argues, and that gap is profit. No economic book has reshaped politics more, and the chapter on the working day still burns.