
Symphony No. 9
Amateur players filled out the orchestra at the premiere after only two rehearsals, and the singers complained that the high notes were unsingable.

Amateur players filled out the orchestra at the premiere after only two rehearsals, and the singers complained that the high notes were unsingable.

Four notes, then half an hour that never lets up. It premiered in an under-rehearsed, freezing four-hour concert that nobody enjoyed.

Seventy-seven rehearsals in Vienna ended with the opera abandoned as unperformable. It waited six years for a stage willing to try it.

Schubert found the second half of these poems in a magazine only after he had already set the first twelve as a finished cycle.

Chopin rarely played in public, preferring drawing rooms of a few dozen people. The left hand keeps steady time while the right pulls freely against it.

Berlioz wrote it while obsessed with an Irish actress he had never met. Four timpanists play at once to make the thunder in the third movement.

Mussorgsky wrote it for piano after a memorial show of a friend's drawings, and several of the pictures it describes have since been lost.

The finale is thirty variations over an eight-bar bass line lifted from Bach. At the private play-through one friend begged him to scrap the finale.

The pianist he wrote it for called it worthless and unplayable, so Tchaikovsky premiered it in Boston instead, where it was a triumph.