
War and Peace
Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

Old Karamazov is murdered and each of his three sons had reason. Around the crime Dostoevsky stages the fiercest argument fiction has ever made about God and the suffering of children.

Anna leaves her husband for a young officer while, in the other half of the book, Levin farms and marries and worries about God. Tolstoy gives both lives the same total sympathy.

Raskolnikov murders a pawnbroker to prove he stands above ordinary morality, then comes apart as a magistrate circles him. It reads like a thriller and works like a confession.

American fiction has attempted nothing bigger. Ahab drags a whaling crew across the world after the whale that took his leg, and Melville keeps stopping the hunt to explain whales.

Dorothea Brooke marries a dry scholar for the wrong reasons and a gifted doctor lets small compromises close around him. Eliot knows more about how people actually fail than any English novelist.

Elizabeth Bennet and Darcy dislike each other on sight and spend the novel being wrong. Austen wrote conversation better than anyone in English, and readers return to it their whole lives.

Emma Bovary reads romances, takes lovers, and runs up debts trying to feel something in a provincial town. Flaubert weighed every sentence, and modern fiction's idea of style begins with him.

Huck runs off down the Mississippi with Jim, who is escaping slavery, and the moment he decides he would rather go to hell than turn him in is the hinge of American fiction.

Whitman threw out rhyme and meter to write the body, the country, and himself at full voice. In "Song of Myself" he speaks straight at you, delighted that you finally showed up.

Having learned everything and felt nothing, a scholar bets the devil that no moment will ever satisfy him. Then Mephistopheles introduces him to a girl named Gretchen, and Goethe follows the damage down.

More creatures are born than can survive, they differ, and the useful differences carry forward. Darwin builds that one plain idea into an explanation of every living thing on earth.

Dickinson wrote nearly eighteen hundred poems in a Massachusetts bedroom, on death, God, and her own mind, and remade the English lyric. Begin with "Because I could not stop for Death."

Onegin coolly refuses a country girl's love letter, then kills a friend in a pointless duel. Pushkin wrote it in verse so quick and alive that Russians still know stanzas by heart.

Pip, a blacksmith's boy, is handed a fortune by an unknown benefactor and turns snob. Miss Havisham waits in her rotted wedding dress, and Dickens makes the shame of low birth unbearable.

Heathcliff, a foundling on a Yorkshire farm, spends his life destroying two families over the girl he loves. The poet Rossetti called it a fiend of a book, its action laid in hell.

Dickens's supreme achievement, and his angriest. A lawsuit over a will has dragged through the courts so long that nobody alive understands it, and its fog settles over every life in England.

English fiction found its first fierce female voice in Jane, plain and poor and conceding nothing. She survives a brutal charity school, becomes a governess, and loves an employer with a secret.

Jean Valjean serves nineteen years for stealing bread, breaks parole, and is hunted the rest of his life by a relentless policeman. Around them Hugo builds the century's great argument for mercy.

Marlow steams up the Congo to retrieve an ivory agent gone strange upriver. Conrad found empire hollow, and the novelist Achebe's charge of racism has kept the book under argument ever since.