
Beat It
Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.

Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.
Waters answered Bo Diddley's answer to his own song in 1955, holding one chord and a stop-time riff throughout.
Skip Pitts on wah-wah, Willie Hall riding sixteenths on hi-hat, and the first Academy Award won by a Black composer.

Betty Jean Newsome shares the credit and later claimed all of it; Sammy Lowe's strings carry Brown's most exposed vocal.

Dixon wrote it, Little Walter blew the harmonica, and that stop-time riff spread through blues and rock alike.
One chord cut at Chess in March 1955, and Muddy Waters answered it with Mannish Boy by May.
Ernie Maresca offered it to Nino and the Ebb Tides first; buried as a B-side, it went to number two.
Linda Lyndell's 1968 Volt single became the hook, with En Vogue singing it and Salt-n-Pepa praising a good man.
Paul Anka's song, Gordon Mills's production, and a swagger Jones rides all the way to number two.

Sean Garrett wrote the hook in a taxi, and T.I. and Lil Wayne are the album's only guest verses.