
Thank You
Larry Graham slapping and popping the bass line credited with inventing the technique, and a verse quoting their own hits.

Larry Graham slapping and popping the bass line credited with inventing the technique, and a verse quoting their own hits.
Booked into Abbey Road as Billy Martin, McCartney played every instrument in a day and declined to release a single.

Written with Ben Margulies in a studio behind his father's cabinet factory, and the whistle-register note that reset pop singing.

Julian Koster's singing saw over double-tracked acoustics, cut in Denver with Robert Schneider, and a chorus that faces death smiling.

Eno programmed the drum machine, Lanois played the Telecaster, and the Edge won the argument for his old delay-drenched sound.
Holland-Dozier-Holland gave Gaye a rare uncomplicated love song, and that rolling piano and the Andantes carried it to number six.

Tony Arata's lyric works as a breakup song or an elegy, and Brooks' video chose the elegy.

Wonder hands the first four lines to Jim Gilstrap and Lani Groves, then walks in over his own Fender Rhodes.

Medley said no repeatedly until Warnes signed on, and the two finished the vocal in about an hour.

Camille Yarbrough's 1975 vocal over a lo-fi piano loop, and a Spike Jonze video reportedly shot for eight hundred dollars.

Harmonica played by Morissette herself, Ballard's warm production, and a rare Jagged Little Pill song that is simply grateful.

Eternal cut it first in Britain; Rodney Jerkins rebuilt it for Monica, who held number one four weeks.

A hangover, a bike ride to Ant's house, and an optimistic beat that became Atmosphere's biggest song.

JoJo Hailey wrote it thinking of his daughter, then kept it, and weddings have not let go since.
Tubular bells, autoharp and a muted guitar imitating pedal steel; Sebastian finished Boone's melody in half an hour.
Vedder lifted the opening chord from Tuolumne, an Into the Wild instrumental, and Willie Nelson later took the song.

Carly Simon sings harmony behind her husband, David Sanborn takes the sax, and Holland-Dozier-Holland's Motown tune turns Californian.

A 1940 flop revived by a film, cut with Percy Faith conducting, and ten weeks at number one.

A 1982 song already cut by Lou Rawls and Gary Morris before Beaches made it Record of the Year.