
Mona Lisa
Nelson Riddle arranged it uncredited under Les Baxter's name, and Cole's baritone turned a B-side into a million seller.

Nelson Riddle arranged it uncredited under Les Baxter's name, and Cole's baritone turned a B-side into a million seller.
Berry wrote it after watching an arrest in California, then cut it in Chicago with Johnnie Johnson and Willie Dixon.

Cut at the October 1960 session that also produced Stand by Me, with Stoller's marimba triplets carrying everything.

Every instrument played by Mars and Ari Levine at Levcon Studios, and a Grammy for male pop vocal followed.

Clapton wrote it on a Martin D-28 while Pattie Boyd got ready for a Buddy Holly party, by his account.

Breakbot got a songwriting credit after the fact, and Mars turned late-seventies disco into a top-five American hit.

Number two in America, three weeks atop the rock chart, and the video that closed Palmer's mannequin trilogy.

Ne-Yo and Chuck Harmony built it on a Just the Two of Us sample; Kahn's video parades a century of divas.

Trak Starz built the beat, Ludacris and Chaka Zulu signed him, and the Walnut Park kid stalled at number two.

A chance meeting, a rented London studio, one night's work, and Guetta's first American top five.