
Someday
Sugar Ray's drummer co-wrote it about touring temptation and a faithful girlfriend; the album title joked about vanishing fame.

Sugar Ray's drummer co-wrote it about touring temptation and a faithful girlfriend; the album title joked about vanishing fame.

Drummer Stan Frazier sang the hook on his way out of the studio, and the chorus borrows Malo's Suavecito.

A Joe Tex drum break under a Smeezingtons hook, and Bruno Mars stepping out from behind the songwriting desk.

CeeLo Green produced it for Tori Alamaze first, and the Dolls took her taunt to number one in fifteen countries.

Blue Oyster Cult passed, .38 Special passed, and Adams kept the riff; the first full take made the record.
Twelve weeks at number one on the R&B chart, a record then, and one of 1994's smoothest hooks.

Alicia Keys sings backing behind Pino Palladino's bass, and Mayer called it the most important song he has written.
Raf's Italo-disco original topped Italy's chart first; Friedkin directed Branigan's video and MTV demanded cuts before airing.

Seven weeks at number two in America and a straight-in number one in Britain, all from Dupri's Atlanta studio.

Five weeks at number one, reportedly the first chart-topper built entirely in Pro Tools, and Latin pop's door kicked open.

Sting drew on his years teaching and on Nabokov, then watched it become Britain's best-selling single of 1980.

Elliot Straite, as Dr. Freeze, turned a letter to an ex-girlfriend into new jack swing at its sharpest.

A lullaby melody hiding a song about alcohol, and one of three Either/Or tracks in Good Will Hunting.

A DeShannon album track from 1975 until Bill Cuomo's Prophet-5 riff arrived; nine non-consecutive weeks at number one followed.
A church organ quoting Wham!'s Freedom, then Hugh Burns's Bo Diddley rhythm, and four weeks at number one.

Lewis argued theology with Sam Phillips between takes at Sun, decided the devil could wait, and cut it anyway.