
Puttin' On the Ritz
Berlin wrote it in 1927; Taco's synth version made him, at ninety-five, the oldest living songwriter in the top ten.

Berlin wrote it in 1927; Taco's synth version made him, at ninety-five, the oldest living songwriter in the top ten.

Director X restaged Clueless for the video, and Charli XCX's hook carried both artists to seven weeks at number one.

Ski built it from Janet Jackson's "Funny How Time Flies" and Skull Snaps drums; two Bronx kids talking pure seventies.

A looping saxophone, a software test engineer named Wanz on the hook, and six weeks atop the Hot 100.

Richie Cannata's sax break, Joel needling critics and fashion alike, and his first American number one.

Two Jamaican teenagers, seventeen and eighteen, answering Trinity over Alton Ellis's riddim, number one in Britain within months.

Ferry lifted the title from his own art-school painting of a giant cigarette packet, Eno's VCS3 shrieking behind him.

Malkmus turned a fake band advert into a hook, and Pavement's snipe at image became their biggest hit.

Scotty Moore and Bill Black behind him in New York, and Presley made RCA hold the single for Perkins.

Butler built it from an Art Blakey bassline in his father's jazz records, three voices making cool sound effortless.

Six studios, eighty-two takes at the guitar part, Ronson collapsing in the studio, and fourteen weeks at number one.

Cash suggested the phrase, Phillips talked him into changing one word, and Sun got its first million seller.