
Blue Suede Shoes (Carl Perkins)
Cash suggested the phrase, Phillips talked him into changing one word, and Sun got its first million seller.

Cash suggested the phrase, Phillips talked him into changing one word, and Sun got its first million seller.

Six studios, eighty-two takes at the guitar part, Ronson collapsing in the studio, and fourteen weeks at number one.

Butler built it from an Art Blakey bassline in his father's jazz records, three voices making cool sound effortless.

Scotty Moore and Bill Black behind him in New York, and Presley made RCA hold the single for Perkins.

Malkmus turned a fake band advert into a hook, and Pavement's snipe at image became their biggest hit.

Ferry lifted the title from his own art-school painting of a giant cigarette packet, Eno's VCS3 shrieking behind him.

Two Jamaican teenagers, seventeen and eighteen, answering Trinity over Alton Ellis's riddim, number one in Britain within months.

Richie Cannata's sax break, Joel needling critics and fashion alike, and his first American number one.

A looping saxophone, a software test engineer named Wanz on the hook, and six weeks atop the Hot 100.

Ski built it from Janet Jackson's "Funny How Time Flies" and Skull Snaps drums; two Bronx kids talking pure seventies.

Director X restaged Clueless for the video, and Charli XCX's hook carried both artists to seven weeks at number one.

Berlin wrote it in 1927; Taco's synth version made him, at ninety-five, the oldest living songwriter in the top ten.