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Say Aah
Troy Taylor cut it at D2 in Atlanta, and Songz's birthday toast climbed to number nine, then double platinum.

I Wanna Sex You Up
Dr. Freeze built it on a Betty Wright sample, and the New Jack City soundtrack carried it to number two.

Marvin Gaye & Chardonnay
By Sean's account Kanye handed over the beat with Roscoe Dash's hook already attached, and the whole thing purrs.

Buttons
Polow da Don and Sean Garrett built it on Middle Eastern percussion, and Snoop Dogg turned up for the single.

Come On-a My House
Miller threatened to fire Clooney if she refused, Stan Freeman played harpsichord, and it sat six weeks at number one.

Overnight Celebrity
Kanye looped a 1978 Lenny Williams record, Miri Ben-Ari sawed the violin, and Twista outran both to number six.

(When You Gonna) Give It Up To Me
Donovan Bennett's riddim, a Keyshia Cole verse added for the Step Up soundtrack, and a number three Hot 100 peak.

Come On Over Baby (All I Want Is You)
Ron Fair rebuilt an album track into a single, adding a bridge and a rap; four weeks at number one followed.

What's Luv?
Tina Turner's chorus rebuilt at Crackhouse Studios, and Ashanti became the first woman to hold the Hot 100's top two.

Kiss Kiss
T-Pain wrote and produced it at Chalice in Los Angeles, and it held number one for three weeks.

Bang Bang
Grande recorded it first and disliked her take; Jessie J took over, Minaj added a verse, all three stayed.

Blurred Lines
Ninety minutes in the studio, twelve weeks at number one, and a copyright verdict for Marvin Gaye's estate.

Smack That
Akon met Eminem at an Obie Trice session, flew to Detroit's 54 Sound, and left with five weeks at number two.
Funky Cold Medina
Foreigner's riff, a Funkadelic drum break, and a phrase borrowed from Flavor Flav, built into a top-three hit.

Twisted
Eric McCaine and Sweat cut the track together, Athena Cage answering him line for line, his biggest pop hit.

Love in This Club
Three weeks at number one, built on synth loops Polow da Don pulled from a GarageBand pack.

Boombastic
A King Floyd sample, Sting International's production, and a Levi's ad that carried it to number one in Britain.

Motivation
Cut at Miami's Circle House, Jonsin's sparse keys and Lil Wayne's verse gave Rowland seven weeks atop the R&B chart.