
The Next Time I Fall
Two singers who never planned a duet took Bobby Caldwell's song to number one, David Foster producing.

Two singers who never planned a duet took Bobby Caldwell's song to number one, David Foster producing.

Davidson and Gorley's tailgate story carried Bryan to the top two Country Airplay spots at once, a chart first.

A 1797 Clementi sonatina rondo underneath, lyrics written in about twenty minutes, and Collins taking it to number one.

Espen Lind swapped a ukulele in for the guitar line, and Monahan's Burning Man daydream became Train's biggest hit.

American Idol turned her down twice, once with this very song, and MySpace made her a star instead.

Three Swedes wrote and produced it, and Dion turned her greatest-hits lead single into a final Hot 100 top ten.
Duritz dislikes writing to order, then handed Shrek 2 an Oscar-nominated rush of helpless, hurtling infatuation.

Jim Peterik of Survivor co-wrote it with Barnes and Carlisi, and it gave the band their first top ten.
Toni Wine and Carole Bayer Sager set lyrics to a Clementi sonatina rondo; Eric Stewart sang it to number two.

Josh Alexander played every instrument on it, and Billy Steinberg's melodic instincts date back to Like a Virgin.

Babyface wrote and produced it at the Music Grinder, and T-Boz makes a summer crush sound effortless.

Six names on the writing credit, three voices trading verses, and Danja's production holding a number three hit together.

Nikki Williams co-wrote it for herself and lost it; Pia Toscano's backing vocals still sit under Lovato's.

A leaked demo forced its own release, and an Annie Lennox sample gave Minaj eight weeks atop the rap chart.

Chapman, Lerner and Roboff built the hook; Hill cut it at Ocean Way and rode it to number seven.
Coverdale began it as a Tina Turner idea, Geffen told him to keep it, and it climbed to number two.

Voice, guitar, and a 1959 Phil Phillips hit slowed to a whisper; Juno carried it to a new audience.

Cut at Thomas Crown Studios in Virginia Beach, with a prelude fused to the front of the summer single.

Eighteen years after the O'Jays cut it in Philadelphia, Teddy Riley rebuilt it as hip-house for Heavy D.