Don't Turn Around
Hammond and Warren's song first surfaced on a Tina Turner B-side; Aswad, then Ace of Base, found the hit inside.
Hammond and Warren's song first surfaced on a Tina Turner B-side; Aswad, then Ace of Base, found the hit inside.

Cut live in one take with the brothers sharing a microphone, the drums looped on tape to double them.

Mack Rice built it from a line Luther Ingram tossed off, and Pops and Mavis trade the sermon.

A night walk at Caribou Ranch gave White the title, and the band their only Hot 100 number one.
Alberta Hunter and Lovie Austin wrote it; Smith's debut record sold 780,000 copies in six months, just voice and piano.

Jackson answered street harassers by demanding respect over a factory preset Jimmy Jam found on an Ensoniq Mirage.

A Zapp groove under the Five Stairsteps hook, dedicated to Latasha Harlins, and rap's warmest tribute to Black women.

A B-side until Murray the K's listeners voted it up, cut live at Bell Sound with Warwick barely raising her voice.
Hayes lifted the title from Detroit buildings marked soul to spare them; Cropper gets shouted out mid-song.

Hill wrote and produced it herself, aimed one verse at women and one at men, and debuted at number one.
Waters answered Bo Diddley's answer to his own song in 1955, holding one chord and a stop-time riff throughout.
Anka typed the lyric overnight in New York asking what Sinatra would say, then handed him a life's summing-up.

Aretha takes Otis Redding's song away from him for good, spells out the demand, and never gives it back.