
Break Your Heart
Fraser T Smith produced a UK number one; Mercury then added Ludacris and it leapt to the American top spot.

Fraser T Smith produced a UK number one; Mercury then added Ludacris and it leapt to the American top spot.

Don Von Tress wrote it; the Marcy Brothers cut it first, then Cyrus's video sent line dancing worldwide.

Written in 1982, handed to Branigan after Bolton refused Clive Davis's rewrite, and reclaimed for a number one.

That accordion hook interpolates an Azerbaijani song from 1989, and Vika Jigulina's vocal rode it 47 weeks across Europe.

Twelve weeks at number one on Alternative Airplay, with Brett Scallions selling every syllable of Carl Bell's chorus.

Rich played almost every instrument on it himself in an Atlanta studio, then sang the heartbreak like a secret.

A decade after the Nitty Gritty Dirt Band cut it first, Rascal Flatts rode it to five weeks at number one.

Linda Ronstadt produced it, and Neville's falsetto turns the Main Ingredient's 1972 consolation into something even gentler.

Rotem built it on Stand by Me, and Kingston, seventeen, became the first nineties-born artist to top the Hot 100.

Half-finished on the Hooligans tour, the melody landed once Mars saw an early cut of Breaking Dawn.

Two Pearce sisters and Viola Billups on a British label, a Northern soul classic that outlived its modest chart run.

Six names on the writing credit, three voices trading verses, and Danja's production holding a number three hit together.

An all-night session at Stockholm's Cheiron Studios, Chasez on the last vocal at six a.m., the hook already immovable.

Beckett and Crowley wrote it after two bandmates' breakups, and Lambert and Potter's production held number one for three weeks.

Two sisters writing about their parents' divorce, and a demo vocal that won Natalie Maines the lead job.

Martha Wash sang it, a model mimed it, and her lawsuit changed how dance records credit their singers.
Cut for Victor in July 1918 by the singer billed as Queen of the Blues; jazz kept it.
Pino Palladino on bass, Ricky Peterson on piano, Steve Jordan producing, and Mayer singing the moment the dream ends.

Spiccato strings, a skipping piano, and a breakup lyric; Malkovich and Hugh Laurie costar in the period video.

A 1960 Boudleaux Bryant song the Everly Brothers cut first, remade by McCafferty's rasp into the version everyone knows.