
Band of Brothers
Easy Company jumped into Normandy on D-Day, held Bastogne through the snow short of ammunition and coats, and finished the war at Hitler's alpine retreat. Ambrose built it from the men's own accounts.

Easy Company jumped into Normandy on D-Day, held Bastogne through the snow short of ammunition and coats, and finished the war at Hitler's alpine retreat. Ambrose built it from the men's own accounts.

Twelve narrators tell their own Iraq, from a Marine who shot dogs in the street to a diplomat ordered to teach Iraqi children baseball. Klay is sharpest on coming home.

Occupied Naples, 1944: soldiers and civilians trading cigarettes, sex, and rumor under the arcade. Burns writes Americans who understand nothing of the country they hold, and a bar where gay soldiers breathe.

Faust shows a country improvising the machinery of mass death: embalming, identifying bodies, burying the unknown at federal expense. Six hundred twenty thousand men died between 1861 and 1865, most among strangers.

Biafra secedes from Nigeria in 1967, and Adichie follows a houseboy, a radical professor, and twin sisters from talk of independence into blockade, famine, and flight. Her grandfathers both died in it.

Six-year-old Ender Wiggin is taken to a school in orbit, isolated on purpose, and made into a commander by zero-gravity war games. The Marine Corps keeps it on its professional reading list.

What holds men to war, Gray decided, is the spectacle, the comradeship, and a delight in destruction nobody admits to. The day his Columbia doctorate arrived, so did his draft notice.

Caputo landed at Da Nang in 1965 with the first American ground troops, eager for it. His tour ended with murder charges over two Vietnamese civilians his men shot, and he excuses nothing.

Kien spends the peace gathering the dead from the jungle that swallowed his battalion, and the war returns out of sequence. Bao Ninh enlisted at seventeen among five hundred, and ten came home.

Army adviser John Paul Vann fed reporters the truth about Vietnam while the generals lied, then spent ten years insisting the war could be won. Sheehan reports his private ruin alongside the courage.

Besieged by rebels in 1857 India, British colonials run out of shot and fire the head of a Shakespeare bust from a cannon. Farrell lets their faith in progress starve alongside them.

Gaddis lays the war's origins at Stalin's door, shows how nuclear terror kept the peace it threatened, and treats the outcome as a moral verdict. Forty-five years of standoff in one commanding volume.

Three days at Gettysburg from inside the men commanding it: Shaara has Longstreet pleading with Lee not to send infantry across open ground, and Chamberlain, out of ammunition, ordering a bayonet charge downhill.

Philip II handed his invasion fleet to a duke who pleaded seasickness. Mattingly tells 1588 as a European crisis, not an English one, and the defeat he reconstructs stops the Counter-Reformation's advance.

Americans in Vietnam were fighting a country they never tried to understand, FitzGerald argues, explaining Confucian village order and the mandate of heaven to readers whose sons were still being sent there.

Herr covered Vietnam for Esquire at twenty-seven and wrote the siege of Khe Sanh and the ruins of Hue at the pitch of a bad trip. Apocalypse Now took its narration from him.

Returning decades later to the Pacific islands where he served as a Marine sergeant, Manchester sets the quiet beaches against what happened there. He was badly wounded on Okinawa and kept dreaming it.

Kyiv, winter 1918: three Turbin siblings hold their apartment while the government falls and Ukrainian nationalists seize the city. Bulgakov's doomed White officers so charmed Stalin he saw the stage version fifteen times.

The trenches taught the century to speak in irony, Fussell argues, reading Sassoon, Graves, and Owen against the language they inherited. Historians have argued with him for fifty years inside his frame.

At twenty-eight Wedgwood narrated Europe's most ruinous pre-modern war whole, thirty years of armies eating Germany alive, and her verdict of meaningless conflict still has to be argued with.

August 1914, told hour by hour as generals launched plans they could no longer stop. Kennedy had it in mind through the Cuban missile crisis, vowing nobody would write The Missiles of October.

Grant crossed the Rapidan in May 1864 and the killing never paused. Catton follows the Union's Army of the Potomac through the Wilderness and Cold Harbor to Appomattox, writing from inside the ranks.

America's novel of the Second World War, published when Mailer was twenty-five and just back from the Philippines. A reconnaissance platoon crosses a Japanese-held island while he tracks every man's fear.

Grigory Melekhov loves his neighbor's wife and rides for the Reds, then the Whites, then neither, while war and revolution finish the Don Cossacks. Sholokhov wrote under Stalin and spared no side.

Reported dead to his family at the Somme, Graves came home from the trenches unable to sleep. This is his farewell to England and to the whole world that sent him there.

Seventeen years old, Cu Chulainn holds the fords against the army Medb of Connacht raised to steal a bull, with Ulster's warriors paralyzed by birth pangs. Yeats built a national mythology on him.

Josef Svejk, a Prague dealer in stolen dogs officially certified an idiot, is swept into the Austro-Hungarian army and obeys every order so eagerly that the whole war machine looks ridiculous.

Hadji Murat quits the rebel imam Shamil for the Russians, hoping to free his captive family, and both sides use him. The critic Harold Bloom ranked it the best story in the world.

Still the fullest American novel of army life. Private Prewitt refuses to box for his company and the army sets about breaking him, on a Hawaii post months before Pearl Harbor.

In 1935 a thirteen-year-old girl watches her sister and the charwoman's son by a fountain, misreads what she sees, and accuses him of a crime. McEwan follows the wreckage through Dunkirk.

Greene put a British correspondent and an idealistic young American in Saigon, fighting over the same woman and over a theory. He saw the American war in Vietnam a decade before it started.

Clark reconstructs the July crisis of 1914 and finds no villain, only leaders watchful but unseeing, each rational step carrying Europe closer. He reopened the fiercest fight over war guilt in decades.

Bai Liusu, a divorcee her Shanghai family treats as a disgrace, follows a rich bachelor to Hong Kong. Chang writes their courtship as cold accounting until the Japanese bombardment reaches the city.

Richard tells the audience in his first speech that he means to be a villain, then makes them accomplices. He courts a widow beside the corpse of the king he murdered.

Sledge fought as a Marine mortarman on Peleliu and Okinawa, then set down the mud, the maggots, and the looting of corpses. The critic Paul Fussell ranked it with the finest war memoirs.

Keegan asked what a battle feels like to the man standing in it, and answered through Agincourt, Waterloo, and the Somme. He put the reader inside the ranks and remade military history.

The greatest of the epic-theater plays follows Anna Fierling, a canteen woman hauling her wagon through the Thirty Years' War, selling to whichever army is winning and losing all three children to it.

Runciman tells the Crusades from Constantinople looking west, and the men in armor come off badly. Three volumes of grand narrative build toward his verdict: one long act of intolerance in God's name.

Riding with Bolshevik Cossacks through Poland in 1920, a Jewish intellectual watches them sack towns and kill prisoners. Babel writes the atrocity in sentences so beautiful that the effect is obscene.

Christopher Tietjens, a government statistician called the last Tory, endures a wife bent on ruining him and a war in France that takes apart the England he was raised to defend.

Ten thousand Greek mercenaries, stranded in Persia with their prince dead and their generals murdered, elect Xenophon and march north through snow until the men in front shout that they see the sea.

Caesar reports his own conquest of Gaul in the third person, equally calm about bridge building and massacre. The Latin is so clean that students still learn the language on it.

Twenty years into a war they never voted for, the women of Greece refuse their husbands until the men make peace. Aristophanes also hoists Socrates over the stage in a basket.

Livy tells Rome's story from the wolf and the twins onward, pausing on the people whose conduct he believes made the city. These are the legends Europe retold for two thousand years.

Three hundred and five songs from ancient China about courtship, harvest, soldiers on campaign, and bad government. Confucius taught from them, and every Chinese poet since has written with them in earshot.

Falstaff is the greatest comic creation in English, a fat knight who lies about everything, and Prince Hal wastes his youth drinking with him while rebellion gathers against his father the king.

Outnumbered in France, a young king talks his army into fighting at Agincourt, promising that whoever survives will remember the day forever. After the battle he reads out the names of the dead.

Win without fighting, Sun Tzu writes, and he means it literally. Twenty-five centuries ago this Chinese general reduced war to deception, terrain, and knowing the enemy as thoroughly as you know yourself.

Five brothers gamble away a kingdom and their wife, then return from exile to a war that swallows their world. Carole Satyamurti's English verse holds the whole Sanskrit epic, Krishna's counsel included.

History begins with Herodotus asking why Greeks and Persians fought, and reaching Thermopylae by way of Egyptian mummies and gold-digging ants. He reports the rumors too, and lets you judge.

O'Brien lists what a platoon in Vietnam hauled around, down to the ounce, then tells war stories and takes them back. The invented ones carry the war more exactly than facts could.

McPherson carries the whole Civil War in one volume, from the fights over slavery in the 1840s through Antietam to the surrender at Appomattox, and it reads like dispatches filed the same day.

Driving ambulances for the Italian army, an American falls in love with an English nurse while the front collapses around them. Hemingway's plain sentences leave you completely undefended by the last page.

Celine's narrator carries his disgust from the First World War to colonial Africa, a Ford assembly line in Detroit, and a Paris suburb. He dragged spoken French into literature and made loathing exhilarating.

German schoolboys enlist after a teacher's patriotic speech and find mud, lice, and men dying badly. Remarque was in those trenches, and no book has done more damage to the idea of glory.

Exiled after losing a city, Thucydides wrote the war that ruined Athens, explaining it by fear and self-interest, not the gods. At Melos his Athenians say the strong do what they can.

Oskar decides on his third birthday to stop growing, keeps his tin drum, and screams glass to pieces while the Nazis take Danzig. Grass forced postwar Germany to look at itself through him.

Billy Pilgrim comes unstuck in time, between a Dresden meat locker during the firebombing and a zoo on another planet. Vonnegut was in that cellar, and writes "So it goes" after every death.

Trying to get grounded for insanity, a bombardier learns that asking to be grounded proves he is sane. Heller runs that loop through a whole war until the deaths stop being funny.

In London in 1944 the army notices that an American officer's sexual conquests keep predicting where German rockets fall. What follows is the filthiest, funniest chase ever run across a ruined continent.