
In the Mood for Love
Longing has never been filmed better than this: Wong Kar-wai gets more out of a stairwell and one repeated waltz than most directors manage with an entire script.

Longing has never been filmed better than this: Wong Kar-wai gets more out of a stairwell and one repeated waltz than most directors manage with an entire script.

Singer Thom Yorke pulled the lyrics out of a hat because he could not write, and the band released it with no singles and no interviews.

The 45 King looped Dido under four letters, and Eminem's fan character ended up in the Oxford dictionary.

Andre 3000 apologizing to Erykah Badu's mother, who liked it enough to buy a Ms. Jackson license plate.

B.O.B. runs at a hundred and fifty-five beats a minute, which is drum and bass speed, with a gospel choir on top.

Nothing else captures an ordinary family like this: Yang holds three generations of a Taipei household in one frame, and the small boy photographing people's backs explains the whole method.

It sold nearly two million copies in a week. Elton John agreed to perform with him at the Grammys while the protests were loudest.

Romanthony's vocal pushed through auto-tune over a slowed Eddie Johns disco sample, filtered until the chorus explodes.

Bombs Over Baghdad at 155 beats per minute, drum and bass colliding with a gospel choir and a guitar solo.

Nolan told it backwards and the trick is not a trick: the reverse order strands you exactly where its amnesiac protagonist lives, knowing only the last five minutes.

It won four Academy Awards and remains the highest grossing foreign language film ever released in America: wire work so graceful that gravity stops being a consideration.

Radiohead opened Kid A with no guitars at all, just a Prophet-5 and Yorke's voice diced in Pro Tools.

It dragged the Roman epic back after thirty-five years of dormancy: Russell Crowe's fury is the whole engine, and the arena sequences still deliver everything they promise.

Ken Nelson pointed at the stars outside Rockfield, and Martin sang the melody in his worst Neil Young impression.

Iovine wanted another "My Name Is," so Eminem wrote this hours before the album was due. It hit number four.

Cameron Crowe was writing for Rolling Stone at fifteen and on the road with the Allman Brothers at sixteen: the film gets every detail right, including the boredom.