
Some Like it Hot
American comedy has never been funnier, and the Legion of Decency was appalled: Wilder ran a single disguise for two hours without ever letting the joke thin out.

American comedy has never been funnier, and the Legion of Decency was appalled: Wilder ran a single disguise for two hours without ever letting the joke thin out.

Every spy thriller since owes it something, James Bond most of all: Hitchcock chases an innocent man across America by crop duster and over Mount Rushmore, enjoying himself throughout.

The French New Wave announces itself: Truffaut put his own miserable childhood on screen at twenty-seven, and the last shot changed what an ending was allowed to do.

Hawks made it as an argument against High Noon: instead of a marshal begging for help, four flawed men hold a jail and enjoy each other's company doing it.

The Army-McCarthy hearings lawyer Joseph Welch plays the judge and Duke Ellington wrote the score: a murder trial turning on an alleged rape, argued in language so frank that 1959 audiences were shocked.

The chariot race took months to shoot and has never been bettered: Wyler's epic runs almost four hours and earns every minute of the nine it spends inside that arena.

George Stevens built the annex to the actual dimensions so the cast would feel it: two years in a few rooms above a warehouse, and nothing outside them is ever shown.