Stairway to Heaven
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.

Written and taped in a three-hour burst, Wonder on clavinet and drums, the keyboard snarling through a Mu-Tron filter.

Written first as 'Into the Misty', recorded at A&R in New York, and the warmest thing Morrison ever sang.
Harrison started it backstage in Copenhagen, gave it to Billy Preston first, then took the first ex-Beatle number one.
Cohen thought Simon's orchestration overblown, but the four-track master wouldn't let him strip it; Judy Collins recorded it first.

Five-Percenter numerology over a bassline that barely moves, Badu's debut single, and a Grammy at the first attempt.

Seven-four time, Steve Hunter's Martin triple-tracked at three tape speeds, and Gabriel's first record after walking out of Genesis.

Kerry Livgren's last-minute addition to Leftoverture opens a cappella, then hands Kansas their first top forty hit.

Chaka Khan's backing vocals lift Winwood's first solo number one, and the Grammy for Record of the Year followed.

Grown from a Dublin jam called Sick Puppy, and Edge's Korg funk-wah setting turned Clayton's bassline into U2's funkiest record.

James took the title from Revelation's New Jerusalem and floated it over organ, acoustic guitar and overdubbed bongos.

A basement demo meant only for publishers, until an Atlanta college station put it into rotation and Atlantic came calling.

Curt Kirkwood wrote it for Meat Puppets II, then stood onstage playing it while Cobain sang his obscure song to millions.

Written at sixteen on a road trip, produced by Ben Keith, from a debut that took two years to break.

Stapp built it from a recurring dream he learned to control, and it sat atop Mainstream Rock for seventeen weeks.