
Get Ur Freak On
Timbaland set a tumbi melody over tabla and left Elliott acres of empty space to fill.

Timbaland set a tumbi melody over tabla and left Elliott acres of empty space to fill.

Herbie Flowers doubled upright and electric bass for a session fee, and Bowie's old sax teacher played the closing solo.

Dixon wrote it, Little Walter blew the harmonica, and that stop-time riff spread through blues and rock alike.
Mott were splitting up when Bowie offered them this, written within hours of hearing the band was finished.

RedOne produced it at Record Plant, Gaga's mum-mum-mum-mah hook nodding to Boney M, and 2009's best-selling single worldwide.

Bowie first threw it away on a fake band called Arnold Corns, then rebuilt it at Trident around Ronson.

Apple wrote it in forty-five minutes to give the label its hit, then took a Grammy for the vocal.

Adrian Utley of Portishead helped build the noise, and Hadreas answers a lifetime of stares with pure swagger.
Mercer sketched a young lesbian couple stuck in a small town, then floated it on Chiccarelli's widescreen jangle.