
Lose Yourself
Written between takes on a film set, delivered like a man with exactly one shot at everything.

Written between takes on a film set, delivered like a man with exactly one shot at everything.
Buck wrote the riff while teaching himself mandolin in front of the television, and R.E.M. got their biggest American hit.
Aspen in 1974, Nicks weighing whether to quit music, and Buckingham Travis-picking a Martin D-18 underneath.

Twelve takes in April 1965, McCartney's counter-melody chasing the lead, and Lennon insisting years later the plea was real.

Greenwood meant those three dead notes before the chorus to wreck the song, and they are what makes it work.

Armstrong rewrote it around his undiagnosed panic attacks, cut it at Fantasy Studios, and sold punk to the suburbs.

Lori Goldston's cello beside Cobain at the November 1993 Unplugged taping, months before his death, apology turned farewell.

Denied the Lauryn Hill sample, West had Syleena Johnson sing the part, and got his first solo top ten.

A piano riff Martin nearly saved for the next album, rescued by their manager, then Record of the Year.

Capitol dropped the band, Trombino produced on credit, and the drum pattern came straight off Tom Petty's You Wreck Me.

Ocasek produced it, Cuomo aimed for the Velvet Underground, and the party-chatter intro made a sad song sound hilarious.

Haines wrote it on piano in Buenos Aires as a ballad; the tempo went up and panic became a hook.

Recorded in Honolulu for 808s & Heartbreak with Jeff Bhasker co-producing, Auto-Tune propping up bravado that keeps slipping.

Walla had to talk the band into keeping it, and Gibbard's throwaway became their singalong.

Rice-Oxley wrote it after the guitarist quit, which is why a rock band's biggest hook is played on piano.
Weiland called it the gap between kid and young man, and Brendan O'Brien's production leaves the voice bare.

Cuomo re-recorded it after crowds sang his original melody back at him, and it topped alternative radio for four weeks.

Skee-Lo wanted to be taller, a Bernard Wright loop did the rest, and the Grammys nominated it against Coolio.
Scalzo sang lead from behind the bass, Hammond organ carrying it, and Machine Gun Kelly later borrowed the chorus.

Wayne Kirkpatrick co-wrote it, Dann Huff played the guitar, and Christian radio's searching ballad reached number six pop.