
Bohemian Rhapsody
Six minutes with no chorus and so many vocal overdubs the tape wore transparent. Still nothing else like it.

Six minutes with no chorus and so many vocal overdubs the tape wore transparent. Still nothing else like it.

A lyric dictated from a car seat, one last Nashville session, and six weeks at country number one.

An Isaac Hayes loop from Tough Guys, three verses by Scarface, and a rap record about fear rather than swagger.

Written at seventeen on a bus, scrapped at Muscle Shoals, saved by Steve Gregory's saxophone in one breath.

Simone learned it at her mother's revival meetings and stretched it past ten minutes of piano vamp and handclaps.

Lori Goldston's cello beside Cobain at the November 1993 Unplugged taping, months before his death, apology turned farewell.

Haggard passed on it at the Pancho and Lefty sessions, so Nelson stayed behind and cut it himself after hours.

Apple wrote it in forty-five minutes to give the label its hit, then took a Grammy for the vocal.

Gospel choir the Sweet Inspirations, a bassline Flowers traced to Bowie, and a refrain built for arenas.

Tennant settling scores with his Newcastle Catholic school teachers, then closing the record with the Confiteor recited in Latin.

Banjo hammering under a chorus that needed a radio edit, produced by Markus Dravs and voted Australia's song of 2009.

Recorded four times before Ken Nelson kept one, and Martin, by his account, apologizing for behaving badly toward his band.

Shadow Morton production, Greenwich and Barry words, and a narrator who quietly hands her boyfriend back to the streets.

Crow's label blocked the radio rights, so Allison Moorer re-cut the female vocal; it still became Kid Rock's biggest hit.

David Frank and Steve Kipner handed a boy band a breakup song about ending an affair; it reached number five.