Jolene
Dolly pleading with her rival rather than fighting her, written the same day as "I Will Always Love You."
Dolly pleading with her rival rather than fighting her, written the same day as "I Will Always Love You."

An answer record to Neil Young's "Southern Man," riding Ed King's riff and a name-check for the Muscle Shoals Swampers.

Eight MCs, a beat RZA scrapped and rebuilt, and a 12-inch the group pressed themselves before any label would.

An Oberheim drum machine, a few scratches, and two voices. Everything before it suddenly sounded old school.
Ron Browz's beat, handed over before he knew its target, and a release date set on Jay-Z's birthday.

A diss aimed at Chubb Rock, by B-Real's account, over a squealing hook DJ Muggs still won't explain.

Banjo, fiddle and mandolin under a scene Swift wrote after overhearing a touring musician's phone call with his girlfriend.

RZA cut it at Firehouse Studio on almost no budget, Method Man co-produced, and the chorus became the Clan's motto.
James Brown horns looped, an answer to MC Shan's The Bridge, and hip hop's birthplace claimed for the Bronx.

Uncleared, the Enya sample nearly brought a lawsuit; she heard the finished record and chose to settle instead.

KRS-One produced it himself over a Stanley Turrentine loop, from the first album made after Scott La Rock's murder.
Marley Marl on the beat, Kane's debut twelve-inch in 1987, and a rapid-fire delivery that reset the bar.

An upright bass loop, a playground chant for a hook, and a remix that so eclipsed the original nobody plays it.
Brandy got the idea from a Jerry Springer love triangle, and Darkchild's clipped beat held number one thirteen weeks.

More Bounce to the Ounce plus a Jungle Boogie sample, cut in West Babylon, and EPMD sounding utterly unhurried.
First record to lift the Synthetic Substitution break, which hip hop never stopped using, with Kool Keith rhyming deliberately off-beat.

Courtney Love called her a cheerleader, so Stefani and the Neptunes built the taunt into pop's first million-selling download.

Easy Mo Bee built that beat for Apache, who was on tour; Mack took it and made 1994's sparest hit.

Boi-1da, Vinylz and Frank Dukes built the boast; Nineteen85 and 40 flip a James Blake sample for the reckoning.

CeeLo Green produced it for Tori Alamaze first, and the Dolls took her taunt to number one in fifteen countries.

Holt's rocksteady original for Duke Reid, White Rum Raymond on violin, and a chorus Blondie later took to number one.
Bud'da's beat, Ice Cube, Mack 10 and WC in formation, a West Coast declaration that topped the rap chart.

Grande recorded it first and disliked her take; Jessie J took over, Minaj added a verse, all three stayed.

A video at Bethesda Fountain, a six-dollar hat, and a hook that pushed the album past five times platinum.

Ced-Gee of Ultramagnetic MCs built the track; a Bronx rapper aimed it at Compton and lit the coastal rivalry.

Stallone commissioned it for Rocky IV, and Peterik and Sullivan answered with East-versus-West dread over a marching riff.