
A Whiter Shade of Pale
Fisher's Hammond nods at Bach for a bar before veering off, and Reid took the title from a party remark.

Fisher's Hammond nods at Bach for a bar before veering off, and Reid took the title from a party remark.

Bud Lee forgot his wallet, joked that he knew the cook, and Brooks took it to number one.

Detail's beat was called "Drunk" before Beyoncé heard it; she and Jay-Z freestyled their verses in Manhattan.
Townshend woke in a Soho doorway after drinking with two Sex Pistols, and Keith Moon's last album took the title.

Lynn and her sister Peggy Sue wrote it, and the album became country music's first gold record by a woman.

Ratatat cut the beat before Cudi arrived, MGMT added vocals, and Steve Aoki's remix made a song about intoxication ubiquitous.

Twenty-two weeks crawling up the Hot 100 before number one, RedOne's synths announcing the pop decade ahead.

Nineteen weeks on the Hot 100, fittingly, and a middle-aged narrator undone by a girlfriend who doesn't know Aretha Franklin.
Crow found Wyn Cooper's poem 'Fun' in a Pasadena used bookstore and sang it into a Grammy.

Norbert Putnam moved the sessions to Miami for the beachfront air, and Buffett turned one ruined afternoon into the chorus.

A Johnny Bush song Nelson borrowed for Shotgun Willie, then used to open nearly every concert since 1974.

Rick Rubin looped Wild Sugar's "Bring It Here" under an 808, and a cocktail's name became a chant.

Six weeks at number one, and it began with Ruess singing the chorus, tipsy, at the Bowery Hotel.

A sitar, a slow groove and Pam Bricker's voice, carried to a wide audience by the Garden State soundtrack.

UB40 knew only Tony Tribe's reggae cover, saw "N Diamond" on the label, and guessed a Jamaican singer.

An old moonshiner's lament cut acoustic in Athens, Peter Buck producing, the band staying at his house to save money.

Brown and Rollins wrote it, Stegall cut it, and Buffett collected the first major award of his thirty-year career.

Mustard's beat interpolates Sean Paul, ScHoolboy Q scuffs the gloss, and the Aquarius lead single went four times platinum.

Fourteen straight weeks atop the R&B chart, T-Pain's Auto-Tune at its peak, and a Grammy for the pair.

Paisley wrote it from the drink's own point of view, a 6/8 country shuffle sung with a wink.

Patrick's blackouts and a father's disappointment sit behind it, six minutes of guitar haze on Title of Record.

Trackboyz built the stomp, J-Kwon was seventeen, and twenty years on Shaboozey turned the hook into a number one.

Thirteen weeks atop the rap chart, on a beat T-Minus and Noah Shebib built wide enough for three guests.

An anarchist collective from Leeds, a sample from Brassed Off, and a chorus about ordinary people refusing to stay down.

Built on a sample of Avril Lavigne's I'm with You, flipped by the Runners into a Friday-night toast.

Brett James co-wrote it with Gilbert and Weaver, his first million-selling single and a Hot Country Songs number one.