
Dancing Queen
Seventeen and gliding across the floor, the rare disco record that sounds like joy and ache at once.

Seventeen and gliding across the floor, the rare disco record that sounds like joy and ache at once.

Big Bank Hank auditioned outside the pizzeria where he worked, rapping lines borrowed from Grandmaster Caz's notebook.

Cut in leftover studio minutes with Sammy Davis Jr. waiting outside, it flopped until Blackboard Jungle put it under the credits.

Romanthony's vocal pushed through auto-tune over a slowed Eddie Johns disco sample, filtered until the chorus explodes.
Bambaataa welded Kraftwerk's Trans-Europe Express to a Roland 808, and Tommy Boy paid Kraftwerk a dollar per record.

Roger Troutman's talk box over a Joe Cocker sample, and Shakur's first single after Death Row sprang him from prison.

Herbie Flowers doubled upright and electric bass for a session fee, and Bowie's old sax teacher played the closing solo.

Edwards' bassline turned up on Rapper's Delight within months; the settlement put Chic's names on rap's first pop hit.

Dre's beat was offered to D12 and Rakim before 50 Cent wrote to it and held number one nine weeks.
Dr. Dre produced it, George McCrae supplied the sample, and Snoop's unhurried drawl became the West Coast blueprint.
Producer Jimmy Miller opens it on cowbell, and the single arrived in Britain the day after Brian Jones died.

Jerry Wexler danced the Jerk across the Stax floor until the band pushed the backbeat onto beat two.

A dembow riddim from Luny Tunes, an uncredited hook from Glory, and a place in the National Recording Registry.

Chucky Thompson built it on the Isley Brothers' Between the Sheets, and Biggie made charm sound entirely effortless.

Rodgers' guitar, Pharrell's vocal, Nathan East on bass, and disco walked back onto the radio wearing robot helmets.

Gonzalez built that shrieking hook from his own distorted voice, then let James King's saxophone close the record.

Ten minutes captured in one take; Ficca thought it was a rehearsal and Verlaine refused Andy Johns another go.

Kizart's amp fell off the car, Phillips stuffed the blown cone with paper, and distorted guitar entered the language.

The Runaways passed, so Jett recorded it twice herself; the second version spent seven weeks at number one.