
Transatlanticism
Gibbard watched goodbyes at Heathrow; the band used Weezer's Only in Dreams as the map for that closing climb.

Gibbard watched goodbyes at Heathrow; the band used Weezer's Only in Dreams as the map for that closing climb.

A hustler's goodbye scored by the New York Philharmonic, Sonny Kompanek conducting, with Bob Dylan cameoing in the video.

Recorded low at first until BenZel pushed her up an octave, and the falsetto turned touring loneliness into something weightless.

Cut at AIR Montserrat with the classic band reunited, and Stevie Wonder's harmonica lifting it clean off the ground.

Higgenson told a steeplechase runner he had written a song about her, then spent a year making it true.

Diane Warren wrote it for Con Air, the studio thought Rimes too pop, and her version charted 69 weeks.

Thomas wrote it after meeting his future wife, then it spent thirteen weeks atop the Adult Top 40.

Written for Cynthia Rhodes while she filmed in South Africa, turned down by Streisand, then three weeks at number one.

Sparks became the first American Idol alum past three million US sales, and the duet earned a Grammy nomination.

Rick Parashar cut it across three studios, and Arnold's ballad about missing someone became an unofficial anthem in Iraq.

Track four on Writer's Block, self-produced by the trio, and its plainest study of being left behind.

Brad Arnold and the band shot the video aboard the USS George Washington, then held Mainstream Rock seventeen weeks.

Alone in a Hollywood hotel room missing his son, Scantlin turned the ache into ten weeks atop Mainstream Rock.

A shuffle borrowed from Tears for Fears, cut on day one, with Bryan Adams singing near the end.

Number one in Australia, top ten in Britain, and Neon Hitch trading verses with McCoy over Benny Blanco's beat.

Written in 2007 about a girl who moved away for college, and every synth in it aches accordingly.