
How Country Feels
Three Nashville writers and producer Derek George handed Houser his first Country Airplay number one, and a platinum single.

Three Nashville writers and producer Derek George handed Houser his first Country Airplay number one, and a platinum single.
Nick Rhodes of Duran Duran co-produced it, and Limahl rode the hook to two weeks at UK number one.

A video at Bethesda Fountain, a six-dollar hat, and a hook that pushed the album past five times platinum.

Leo Friedman's tune, Beth Slater Whitson's words, and a 1911 quartet disc now in the National Recording Registry.

Cut at Criteria in Miami by Scott Storch and Sean Garrett, with Brown topping the Hot 100 at sixteen.

The woman turning him down is Positive K himself, pitched up in the studio, and that duet is the joke.

Cecil Sharp collected it in Appalachia in 1916; Seeger's arrangement and Terry Gilkyson's voice sold a million.
Foreigner's riff, a Funkadelic drum break, and a phrase borrowed from Flavor Flav, built into a top-three hit.

Young MC wrote the words, an uncredited Van Halen sample carried them, and Tone Loc's rasp did the rest.

Harrison bought the James Ray original in Illinois in 1963; Jeff Lynne turned it into his last American number one.

Bass from Atlanta, an R&B vocal on top, and a 2016 dance craze that beat its 1996 chart peak.

Twenty-four weeks atop the country chart, a Nelly remix, and the first country single ever certified diamond.

Max Martin coached Timberlake into pronouncing the last word "may", and 'N Sync got their only Hot 100 number one.

Holt's rocksteady original for Duke Reid, White Rum Raymond on violin, and a chorus Blondie later took to number one.

DiFiore's trumpet lick, chords borrowed from Sweet Jane, and McCrea deadpanning a want ad for the ideal woman.

Graham Gouldman's father handed him the opening lines; Gouldman finished the middle eight on his own bus to work.

Joel chasing Frankie Valli's falsetto and the Four Seasons' bounce; five weeks at number one, his only UK chart-topper.

Larrieux's feathery lead over Bryce Wilson's interpolation of the Mary Jane Girls, and neo soul had its blueprint.

DeLonge wrote it after the band's manager complained the album had no feel-good song; a SeaWorld date supplied the rest.
Released as a B-side, produced by Full Force, and Roxanne rejecting all three MCs set off dozens of answer records.