
Achy Breaky Heart
Don Von Tress wrote it; the Marcy Brothers cut it first, then Cyrus's video sent line dancing worldwide.

Don Von Tress wrote it; the Marcy Brothers cut it first, then Cyrus's video sent line dancing worldwide.

Two Florida Georgia Line writers, a drum loop, and Aldean pulling country toward R&B; platinum in nine weeks.

Four weeks atop country radio in May, a Love to Infinity remix, and a pop top ten by December.

Twain got the idea at a soccer match in Italy; Bryan White sang the original duet version.

Mayo and Lindsey wrote it while falling for each other, and eight weeks at country number one followed.

Chapman, Lerner and Roboff built the hook; Hill cut it at Ocean Way and rode it to number seven.

Six weeks atop country radio and Billboard's top single of 2000, all built on a hushed opening verse.

Diane Warren wrote it for Con Air, the studio thought Rimes too pop, and her version charted 69 weeks.

Kimberly Perry wrote it alone, and banjo, fiddle and mandolin carry her meditation on mortality across fifty-three Hot 100 weeks.

Twenty-four weeks atop the country chart, a Nelly remix, and the first country single ever certified diamond.

A leak forced its release nearly two weeks early, and Swift's lead Speak Now single still debuted at number three.

Sanders and Sillers wrote it in 1999; five weeks at country number one, and every graduation since has borrowed it.

Nathan Chapman's production stays hushed while Swift and Liz Rose leave the real classmate's name, Drew, in the lyric.

Four writers, one late-night phone call, and a chorus that took Record and Song of the Year at the Grammys.

Written as a reply to everyone who doubted her marriage to Mutt Lange, and it won two country Grammys.

Twain and Lange built it on three men who fall short, and that hooded leopard print did the rest.

Tompkins and Kear wrote it hoping Gretchen Wilson would cut it; Underwood's version stayed sixty-four weeks on the Hot 100.

Bruce Hornsby's piano behind a vocal Raitt cut in one take, then refused to try again.

Banjo, fiddle and mandolin under a scene Swift wrote after overhearing a touring musician's phone call with his girlfriend.

Danoff and Nivert finished it with Denver one December night, and they premiered it hours later at the Cellar Door.