City Lights
Directed by Charlie Chaplin
1931
Chaplin's own favorite of his films, and the one people cry at: he refused to make it a talkie, then built ninety minutes toward a final thirty seconds.
★ 9.3
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1930s
1930 – 1939
Showing 25 films from the 1930s
The Wizard of Oz
Directed by Victor Fleming
1939
Decades of television broadcasts made it what the Library of Congress calls the most-seen film in history: the switch from sepia Kansas into Technicolor Oz still lands like a door opening.
★ 9.1
M
Directed by Fritz Lang
1931 · Germany
Serial killer films begin here: Lang used sound as a weapon in his first talkie, gave the murderer a whistled tune, and turned a whole city into a trap.
★ 8.9
The Rules of the Game
Directed by Jean Renoir
1939 · France
Banned in 1939, booed at its premiere, then in the top ten of every Sight and Sound poll for sixty years: Renoir turned a hunting party into a diagnosis of a doomed society.
★ 8.8
Modern Times
Directed by Charlie Chaplin
1936
Chaplin's farewell to silence, made nine years into the sound era out of pure stubbornness: the factory gears swallow him, and he answers the talkies entirely on his own terms.
★ 8.7
It Happened One Night
Directed by Frank Capra
1934
It helped launch the screwball comedy and left fingerprints on every romance that followed: a runaway heiress, a broke reporter, a night bus, and a blanket hung between two beds.
★ 7.7
Snow White and the Seven Dwarfs
Directed by David Hand
1937
Disney mortgaged his own house to make the first cel-animated feature, and the industry called it his folly: the queen's transformation still frightens small children exactly as intended.
★ 7.5
Gone with the Wind
Directed by Victor Fleming
1939
Adjusted for inflation no film has ever earned more, and it is still telling the old South's version of itself: enormous, ravishing, and not to be trusted.
★ 7.4
Duck Soup
Directed by Leo McCarey
1933
The Marx Brothers at their fastest and most anarchic, and they left Paramount soon after it underperformed: the mirror sequence has been stolen by everybody in comedy since.
★ 7.2
Frankenstein
Directed by James Whale
1931
Karloff's monster became the face everyone pictures, which is not what Mary Shelley wrote: Whale made a horror film that keeps asking who the actual monster is.
★ 7.1
Bringing Up Baby
Directed by Howard Hawks
1938
Nobody talks faster than this: Hawks overlapped every line until the dialogue becomes a physical event, and it did badly enough that exhibitors called Hepburn box office poison.
★ 7.1
King Kong
Directed by Merian C. Cooper and Ernest B. Schoedsack
1933
Willis O'Brien animated it a frame at a time and audiences in 1933 had never seen anything like it: the ape on that building is known to people who never watched it.
★ 7.1
Stagecoach
Directed by John Ford
1939
It made John Wayne a star, invented Monument Valley as a place in the American mind, and put nine strangers in one coach: every road movie descends from it.
★ 7.0
L'Atalante
Directed by Jean Vigo
1934 · France
Vigo was dying at twenty-nine when he finished it and the studio hacked it apart anyway: restored, it is the most sensual thing ever filmed about being newly married on a working barge.
★ 6.8
Mr. Smith Goes to Washington
Directed by Frank Capra
1939
Capra built the most stirring film ever made out of parliamentary procedure: an amateur senator holds the floor with nothing but his voice and the rulebook, and Washington's press corps hated it.
★ 6.6
All Quiet on the Western Front
Directed by Lewis Milestone
1930
The Nazis sent brownshirts to disrupt its German screenings and banned it outright once in power: the first great sound film about war, told entirely from inside a German schoolboys' trench.
★ 6.5
A Night at the Opera
Directed by Sam Wood
1935
The stateroom scene is the most crowded two minutes in comedy: MGM insisted the Marx Brothers carry a love plot, and they demolished it from the inside anyway.
★ 6.2
Swing Time
Directed by George Stevens
1936
Astaire and Rogers never danced better than in the last number here, which they shot until her feet bled: the plot is nonsense and the dancing is the argument for the whole genre.
★ 5.0
The Awful Truth
Directed by Leo McCarey
1937
Cary Grant became Cary Grant in this film: Leo McCarey threw out the script daily and improvised on set, and a divorcing couple sabotage each other's new engagements out of pure spite.
★ 4.2
Mr. Deeds Goes to Town
Directed by Frank Capra
1936
Frank Capra and Gary Cooper at the height of the New Deal: a tuba-playing greeting card poet inherits twenty million dollars and finds out what New York wants from him.
★ 2.9