
City Lights
Directed by Charlie Chaplin
1931
Chaplin's own favorite of his films, and the one people cry at: he refused to make it a talkie, then built ninety minutes toward a final thirty seconds.
★ 9.3

Chaplin's own favorite of his films, and the one people cry at: he refused to make it a talkie, then built ninety minutes toward a final thirty seconds.

Serial killer films begin here: Lang used sound as a weapon in his first talkie, gave the murderer a whistled tune, and turned a whole city into a trap.

Karloff's monster became the face everyone pictures, which is not what Mary Shelley wrote: Whale made a horror film that keeps asking who the actual monster is.

Jean Renoir was recording live street sound in 1931 when almost nobody could: a meek bank cashier who paints on Sundays falls for a woman he meets one night in Montmartre.