
Boyhood
Nobody had tried this before: Linklater filmed the same cast a few days a year for twelve years, so you watch a real child turn into a real adult.

Nobody had tried this before: Linklater filmed the same cast a few days a year for twelve years, so you watch a real child turn into a real adult.

Shot in nineteen days on three million dollars, and cut like a thriller: a drummer, a teacher who throws chairs, and the question of what greatness costs.

Swift plays her own tabloid caricature, a clicking pen for percussion, and she replaced herself at number one.

Six studios, eighty-two takes at the guitar part, Ronson collapsing in the studio, and fourteen weeks at number one.

Written first for Rihanna, kept by Sia instead, and given a video where an eleven-year-old dancer did the acting.

Emile Haynie and Arca build a slow cathedral of bass, and Twigs sings desire in a whisper.

One Letterman performance in March 2014, Herring's angular dancing, and Pitchfork, NME and Spin named it the year's best.

Rahki built it on the Isley Brothers' That Lady, and Lamar turned self-love into two Grammys.

Rostam's harpsichord reharmonizes a melody that traveled from Bread through Grover Washington Jr. to Souls of Mischief, then here.

Martin and Shellback stomped the drum pattern on a wooden floor, and Swift turned tabloid noise into fifty weeks charting.

Wadge was playing chords while Sheeran showered; twenty minutes later they had a Song of the Year.

El-P's beat, de la Rocha recruited a day after a chance encounter, and the fiercest track on the album.

Verses at 123 beats a minute collapsing to 65 in the chorus, cut live with Auerbach's band in Nashville.

Granduciel spent two years second-guessing these sessions, and the song still turns on one yelp before the chorus.

Swift named the record for the year she was born and dropped country entirely, writing straight synth-pop for the first time.

Adrian Utley of Portishead helped build the noise, and Hadreas answers a lifetime of stares with pure swagger.

Adam Granduciel spent two years and a dozen studios on it, mostly rerecording parts he had already finished, in the grip of severe anxiety.

Snowed into a Prince Edward Island farmhouse, Rankin wrote a proposal song; VanGaalen cut it in Calgary.

They gave it away free online, as they had the first one, and Killer Mike's verse about being stopped by police arrived weeks before Ferguson.