
OK Computer
Recorded in a fifteenth-century mansion the band rented from an actress, with one track narrated entirely by the computer voice on a Macintosh.

Recorded in a fifteenth-century mansion the band rented from an actress, with one track narrated entirely by the computer voice on a Macintosh.

It came out sixteen days after Biggie was shot dead in Los Angeles, a double album he had finished and titled beforehand.

Modern film noir does not get better than this: three Los Angeles cops with nothing in common, and a plot so tightly wired people rewatch it to follow the connections.
Named for a tour joke about people behaving badly, with Greenwood's piano circling and a delay unit eating the ending.

It held the Japanese box office record until Titanic arrived: Miyazaki staged a war between an iron town and the forest gods and refused to name a villain.

Built on an Andrew Oldham Orchestra recording of a Stones song; Jagger and Richards returned the credit in 2019.

Timbaland flipped Ann Peebles into stuttering space, and Hype Williams shot Elliott in an inflated suit through a fisheye.
Four sections in six minutes, named for Douglas Adams's depressed robot, cut in a sixteenth-century manor near Bath.

Anderson was twenty-seven and announced himself completely: a San Fernando Valley porn crew who treat each other like family, filmed with far more warmth than the subject suggests.

Drums by Grohl, Hawkins not yet in the band, and Louise Post's backing vocals sung down a phone from Chicago.

Seymour Levov has a glove factory, a beauty queen wife, and the whole postwar American promise, until his stuttering daughter plants a bomb in 1968. Roth takes a decent man apart.

Herb Alpert's Rise looped into a strut, released five days before Wallace was killed, number one within weeks.

Radiohead cut version after version and kept the first take, glockenspiel and all, a lullaby about suburban despair.

One lyric repeated 144 times over a synth bassline, and Gondry's video giving each instrument its own dancers.

For twelve years no film made more money anywhere on earth: Cameron built the ship, sank it more or less in real time, and made a generation cry in public.

Two unknown actors in their twenties wrote it for themselves and it worked: a janitor at MIT can solve anything except himself, and Robin Williams sits opposite him.

DMX turned the beat down for sounding too rock; his uncles talked him into it, and Swizz Beatz arrived.