Can the Circle Be Unbroken (By and By)
1935
A 1907 hymn rewritten into a mother's funeral, with A.P. Carter tightening the grief and Maybelle's guitar holding it.
★ 7.5
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1935
Showing 43 works across all media from 1935
Ram's Head White Hollyhock and Little Hills
1935 · Brooklyn Museum (Brooklyn), Brooklyn
O'Keeffe collected sun-bleached bones off the desert and hung this one in the sky over the hills, with a single white hollyhock beside it.
★ 7.2
Black Reconstruction in America
1935 · 762 pages
Enslaved people freed themselves, Du Bois argues, walking off plantations in a general strike that broke the Confederacy. He then shows what Black voters built during Reconstruction and who tore it down.
★ 7.0
The Flower Carrier
1935 · San Francisco MOMA, San Francisco
An enormous basket of flowers forces the man down onto his hands and knees, and a woman steadies the load from behind.
★ 6.9
Selections from the Prison Notebooks
1935 · 483 pages
Sentenced to twenty years by Mussolini's courts, Gramsci filled thirty-odd notebooks explaining why revolutions fail: the powerful rule by consent, through schools, churches, and newspapers that make their order feel like common sense.
★ 6.6
A Night at the Opera
Directed by Sam Wood
1935
The stateroom scene is the most crowded two minutes in comedy: MGM insisted the Marx Brothers carry a love plot, and they demolished it from the inside anyway.
★ 6.2
Untouchable
1935 · 176 pages
One day in the life of Bakha, who cleans latrines in a small Indian town and is slapped for brushing against a high-caste man. Anand renders caste from its lowest rung.
★ 6.2
Studs Lonigan Trilogy
1935 · 988 pages
On the Irish Catholic South Side of Chicago, a boy leaves eighth grade certain he is somebody. Farrell tracks Studs through poolrooms, gangs, and drink into the Depression, withholding every consolation.
★ 5.3
I'm in the Mood for Love
1935
Cut in New York on October 3, 1935, among Armstrong's first Decca sides, trumpet and voice doing identical work.
★ 5.1
Gaudy Night
1935 · 544 pages
Harriet Vane, mystery novelist, returns to her Oxford women's college, where someone is sending obscene letters and destroying scholarship. Nobody dies. The question is whether a woman can have both work and love.
★ 4.7