
Born in the USA
Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.

Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.
Hayes lifted the title from Detroit buildings marked soul to spare them; Cropper gets shouted out mid-song.

Chandler's bass walks in alone, Burdon arrives furious, and GIs in Vietnam claimed a Brill Building demo.

The band laughed at Sambora's talk box until it opened the record. The last chorus climbs a minor third.
Steve Nieve's piano lifts its shimmer from "Dancing Queen," and Costello's biggest UK hit smuggles Belfast into a singalong.

Almost all acoustic guitar, one electric part running backwards, and an import single that still reached number twenty-one in Britain.

Mellencamp waved at a man sitting outside a pink shotgun house near the highway, and wrote America's most misread chorus.

An anarchist collective from Leeds, a sample from Brassed Off, and a chorus about ordinary people refusing to stay down.