
Stand By Me
That four-note bassline, a gospel hymn turned into a promise, and one of the warmest vocals ever recorded.

That four-note bassline, a gospel hymn turned into a promise, and one of the warmest vocals ever recorded.
Razor-blade tape splices turned rejected scraps into the one Rumours song credited to all five, McVie's bass ending it.

Written in about twenty minutes at the end of a session, and Wynette immediately dreaded that high note forever.

Warren G looped four bars of Michael McDonald in a Long Beach bedroom, and Nate Dogg sang his half.

Cuomo thought it too cheesy to release; Ocasek insisted, then Spike Jonze spliced the band into Happy Days footage.

Dre objected to a love song on a gangsta album, then mixed it into four weeks atop the Hot 100.

Judd Lander, the harmonica player from Karma Chameleon, gives the record its Stevie Wonder swing over Absolute's production.

Fifteen years old and stuck in a math class when Arnold wrote it; he sang it from the drum stool.

Nic Nac's beat borrows from "Money Ain't a Thang," and three regional versions carried it thirty-six weeks on the chart.

Written in a garden shed at Farrington's father's house, stalled at fifty-eight in Britain, then Napoleon Dynamite happened.

Sugar Ray's drummer co-wrote it about touring temptation and a faithful girlfriend; the album title joked about vanishing fame.

Detail and Choppa Boi built a beat out of space and chant; Nas and Rick Ross joined the remix.