Whole Lotta Love
1969 · From Led Zeppelin II
Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.
★ 9.7
The Songs canon
Sourced and sung.
Every song chosen by hand, with the recording to play it.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Stairway to HeavenLed Zeppelin
Stairway to Heaven
1971 · From Led Zeppelin IV
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.
★ 9.3
Beat It
1982 · From Thriller
Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.
★ 9.2
All Along the Watchtower
1968
Hendrix took Dylan's parable and lit it, and Dylan has played it Hendrix's way ever since.
★ 9.2
Bohemian Rhapsody
1975 · From A Night at the Opera
Six minutes with no chorus and so many vocal overdubs the tape wore transparent. Still nothing else like it.
★ 9.1
Baba O'Riley
1971 · From Who's Next
That opening arpeggio is a Lowrey organ's marimba repeat function; Dave Arbus's violin sends the ending careening.
★ 9.0
Sweet Child O' Mine
1987 · From Appetite for Destruction
Slash was goofing through a warm-up he called a circus melody; an hour later the band had this.
★ 8.7
Come Together
1969 · From Abbey Road
Lennon started it as a campaign song for Timothy Leary, then Ringo muffled his drums with tea towels.
★ 8.7
My GenerationThe Who
My Generation
1965 · From My Generation
Entwistle's bass solo needed a Fender after his Danelectro strings snapped, and Daltrey stuttered his way into history.
★ 8.7
Kashmir
1975 · From Physical Graffiti
Page tuned to DADGAD, Plant wrote it driving through southern Morocco, and none of them had seen Kashmir.
★ 8.6
Back in Black
1980 · From Back in Black
Johnson was told the Bon Scott tribute could not be morbid, so he wrote a celebration over Angus Young's riff.
★ 8.6
Welcome to the Jungle
1987 · From Appetite for Destruction
Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.
★ 8.4
You Really Got MeThe Kinks
You Really Got Me
1964 · From Kinks
Dave Davies took a razor blade to his little Elpico amp's speaker cone, and distortion arrived on British radio.
★ 8.3
Jumpin' Jack FlashThe Rolling Stones
Jumpin' Jack Flash
1968
Named for the gardener who woke them up, and cut with an acoustic guitar recorded into a Philips cassette recorder.
★ 8.1
While My Guitar Gently WeepsThe Beatles
While My Guitar Gently Weeps
1968 · From The White Album
Harrison opened a book at random, saw "gently weeps", and Clapton came in uncredited to play the solo.
★ 8.0
Won't Get Fooled Again
1971 · From Who's Next
Eight and a half minutes, a Lowrey organ run through a VCS3, and Daltrey's scream tearing into the final verse.
★ 8.0
Highway to Hell
1979 · From Highway to Hell
Mutt Lange took over production, the band cut it in London in 1979, and America finally caught on.
★ 8.0
Voodoo Child (Slight Return)Jimi Hendrix
Voodoo Child (Slight Return)
1968
Cut May 3, 1968 with an ABC film crew rolling, and it became Hendrix's only British number one, posthumously.
★ 7.8
Smoke on the WaterDeep Purple
Smoke on the Water
1972 · From Machine Head
Blackmore's four notes in parallel fourths, written after a flare gun burned the Montreux Casino down during a Zappa show.
★ 7.8
Honky Tonk WomenThe Rolling Stones
Honky Tonk Women
1969
Producer Jimmy Miller opens it on cowbell, and the single arrived in Britain the day after Brian Jones died.
★ 7.8
Immigrant Song
1970 · From Led Zeppelin III
Zeppelin played Reykjavik in 1970, and Plant came back with Vikings, Valhalla, and that double-tracked wail.
★ 7.8
Paradise City
1987 · From Appetite for Destruction
Written in a rental van home from San Francisco, and the final two minutes simply double the tempo.
★ 7.8
Ziggy Stardust
1971 · From The Rise and Fall of Ziggy Stardust
Cut at Trident in November 1971, never a single, and Ronson's riff draws the character as sharply as the words.
★ 7.7
We are the Champions
1977 · From Greatest Hits
Mercury wrote it with audience participation in mind, and a 2011 study named it the catchiest song in pop.
★ 7.7
You Shook Me All Night Long
1980 · From Back in Black
Recorded at Compass Point in Nassau with Mutt Lange, Johnson's first single, and a riff that swings rather than pounds.
★ 7.7
Money
1973 · From The Dark Side of the Moon
Seven beats to the bar, a tape loop of coins and cash registers, and Pink Floyd's first American hit.
★ 7.7
I'm Waiting for the ManThe Velvet Underground
I'm Waiting for the Man
1967 · From The Velvet Underground & Nico
Recorded in Hollywood with Cale on piano, the rhythm pushing like a subway train under Reed's flat delivery.
★ 7.7
Walk This Way (Aerosmith)
1975 · From Toys in the Attic
Perry built the riff at a Honolulu soundcheck; Tyler wrote the words on a Record Plant stairwell wall.
★ 7.7
Pinball WizardThe Who
Pinball Wizard
1969 · From Tommy
Townshend wrote it to flatter a pinball-obsessed critic, then called it the clumsiest thing he ever wrote.
★ 7.6
Black Dog
1971 · From Led Zeppelin IV
Jones wrote the riff, Page took the stop-start idea from Fleetwood Mac, and a stray labrador supplied the title.
★ 7.6
Walk This Way
1986 · From Raising Hell
Rubin had to talk Run-DMC into it; Tyler smashed through the video's wall and Aerosmith got a career back.
★ 7.6
Brown Sugar (The Rolling Stones)
1971 · From Sticky Fingers
Cut at Muscle Shoals days before Altamont, Bobby Keys on tenor, and a lyric Jagger later said he would censor.
★ 7.6
Sunshine of Your LoveCream
Sunshine of Your Love
1967 · From Disraeli Gears
Bruce came home from a Hendrix show carrying the riff, and Baker answered it by drumming on one and three.
★ 7.6
Rockin' in the Free World
1989 · From Freedom
Sampedro joked about the free world after a Soviet tour collapsed, and Young debuted the song in Seattle unrehearsed.
★ 7.5
Born to Be Wild
1968
Mars Bonfire's used Ford Falcon inspired it, Steppenwolf sped it up, and Easy Rider made it biker culture's signature.
★ 7.5
Time (Pink Floyd)
1974 · From The Dark Side of the Moon
Alan Parsons taped antique-shop clocks as a quadraphonic test; Mason's rototoms follow, and the alarms still land like panic.
★ 7.5
Money for Nothing
1985 · From Brothers in Arms
Knopfler borrowed a pen in a New York appliance store to copy down a delivery man's complaints about MTV.
★ 7.4
My My, Hey Hey
1979 · From Rust Never Sleeps
Recorded live at San Francisco's Boarding House in 1978, and Devo's Mothersbaugh handed Young the phrase that titled the album.
★ 7.4
All Day and All of the NightThe Kinks
All Day and All of the Night
1964
Ray Davies's publisher wanted to sue the Doors over the riff; Davies declined, and the snarl outlived the argument.
★ 7.4
(Don't Fear) the Reaper
1976
An irregular heartbeat diagnosis sent Dharma writing about mortality and lasting love, and the cowbell did the rest.
★ 7.3
Dream On
1973 · From Aerosmith
Tyler had the tune on his family's New Hampshire lodge piano years before Aerosmith; a reissue reached number six.
★ 7.2
Cortez the Killer
1975 · From Zuma
Young's tone in double drop D, a blown console that erased the last verse, and a Franco-era Spanish ban.
★ 7.2
November Rain
1992 · From Use Your Illusion I
Slash's solo grew from an improvisation, Rose had chased the song since 1986, and nine minutes went top three.
★ 7.2
School's Out
1972
Buxton's riff, a children's chorus, a school bell fade; Cooper wanted the last three minutes of term on tape.
★ 7.1
Livin' on a Prayer
1986 · From Slippery When Wet
The band laughed at Sambora's talk box until it opened the record. The last chorus climbs a minor third.
★ 7.1
With a Little Help From My Friends (Joe Cocker)
1968
Cocker slowed a Beatles album track to gospel tempo, with Jimmy Page on guitar and Tommy Eyre's organ intro.
★ 7.1
Thunderstruck
1990 · From The Razors Edge
Angus called it a little guitar trick; Malcolm added the rhythm underneath, and it lands before Johnson sings a word.
★ 7.1
Sweet Emotion
1975 · From Toys in the Attic
Three sounds in that intro: Hamilton's bass riff, Perry's talk box, a bass marimba. Aerosmith's first Top 40 single.
★ 7.1
Hells Bells
1980 · From Back in Black
A one-ton bronze bell cast to order in Loughborough, recorded inside the foundry, and Johnson's opening words for AC/DC.
★ 7.0
Cinnamon GirlNeil Young
Cinnamon Girl
1969 · From Everybody Knows This Is Nowhere
Written in Topanga during a 103-degree fever, double drop D tuning, and a solo that stays on one note.
★ 7.0
The Boys are Back in Town
1976
Gorham and Robertson's twin leads on a track the band nearly left off Jailbreak; Kentucky radio saved it.
★ 7.0
White RoomCream
White Room
1968 · From Wheels of Fire
A 5/4 intro that worried the label, Pappalardi's violas, Baker's timpani, and Clapton's wah-wah doing the talking.
★ 7.0
Start Me Up
1981 · From Tattoo You
Two rock takes buried under dozens of abandoned reggae versions, dug out of the vault while assembling Tattoo You.
★ 6.9
Who Are YouThe Who
Who Are You
1978 · From Who Are You
Townshend woke in a Soho doorway after drinking with two Sex Pistols, and Keith Moon's last album took the title.
★ 6.7
Carry On Wayward Son
1976
Kerry Livgren's last-minute addition to Leftoverture opens a cappella, then hands Kansas their first top forty hit.
★ 6.7
Ramble OnLed Zeppelin
Ramble On
1969 · From Led Zeppelin II
Cut in two New York studios in June 1969, with Mordor and Gollum folded into a restless road song.
★ 6.6
You Gotta Fight For Your Right To Party
1986 · From Licensed to Ill
Conceived as a satire of party songs, it became the band's only top ten hit, the joke unnoticed.
★ 6.5
No Sleep Till Brooklyn
1986 · From Licensed to Ill
Slayer's Kerry King plays the solo, the title bends Motorhead's, and Rubin welds rap to metal without apology.
★ 6.5