Billie Jean
1982 · From Thriller
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.
★ 9.8
The Songs canon
Sourced and sung.
Every song chosen by hand, with the recording to play it.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Thriller
1982 · From Thriller
Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.
★ 9.2
I Want You Back
1969
A child singing about regret over the springiest bassline Motown ever cut, and selling it completely.
★ 9.1
Superstition
1972 · From Talking Book
Wonder wrote that clavinet riff for Jeff Beck, heard it back, and sensibly kept it for himself.
★ 9.1
Papa's Got a Brand New Bag
1965 · From Papa's Got a Brand New Bag
The record where the beat moved to the one and funk quietly began. James Brown never looked back.
★ 9.1
Rapper's Delight
1979
Big Bank Hank auditioned outside the pizzeria where he worked, rapping lines borrowed from Grandmaster Caz's notebook.
★ 9.0
I Got You (I Feel Good)
1965 · From I Got You (I Feel Good)
Brown recycled a flop he'd cut on Yvonne Fair, added Maceo Parker's alto, and landed his highest-charting single.
★ 8.8
Let's Get It On
1973 · From Let's Get It On
Ed Townsend conceived it as a spiritual; Gaye kept the backing track, rewrote the lyric, and Billboard number one followed.
★ 8.4
Don't Stop 'Til You Get Enough
1979 · From Off the Wall
Jackson wrote it himself and steered the session; a whisper, a water-bottle rattle, then Louis Johnson's bass takes over.
★ 8.3
Get Up (I Feel Like Being a) Sex MachineJames Brown
Get Up (I Feel Like Being a) Sex Machine
1970 · From Sex Machine
One of Brown's first dates with the new J.B.s, Bootsy Collins on bass at eighteen, Bobby Byrd answering every line.
★ 7.9
Thank You
1969 · From Greatest Hits
Larry Graham slapping and popping the bass line credited with inventing the technique, and a verse quoting their own hits.
★ 7.8
Theme from ShaftIsaac Hayes
Theme from Shaft
1971
Skip Pitts on wah-wah, Willie Hall riding sixteenths on hi-hat, and the first Academy Award won by a Black composer.
★ 7.8
Higher Ground
1973 · From Innervisions
Written and taped in a three-hour burst, Wonder on clavinet and drums, the keyboard snarling through a Mu-Tron filter.
★ 7.8
Family Affair (Sly and the Family Stone)
1971 · From There's a Riot Goin' On
A rhythm box edited into a heartbeat, Billy Preston on Pianet, and three weeks at number one.
★ 7.8
Everyday People
1968 · From Stand!
A band mixed in race and gender, four weeks at number one, and "different strokes for different folks" ever since.
★ 7.7
Give Up the FunkParliament
Give Up the Funk
1975
Bootsy Collins on bass, Fred Wesley and Maceo Parker newly arrived from James Brown, and Parliament's first gold single.
★ 7.7
Say It Loud, I'm Black and I'm Proud
1968 · From Say It Loud - I'm Black and I'm Proud
Brown cut it in Los Angeles with thirty-odd young people from Watts and Compton shouting the answer back.
★ 7.7
Sir Duke
1977 · From Songs in the Key of Life
Wonder built it for Ellington after his death in 1974, then handed the melody to horns playing in unison.
★ 7.7
Rock With You
1979 · From Off the Wall
Rod Temperton offered it to Karen Carpenter first; Quincy Jones and Jackson took it to number one.
★ 7.6
Get Lucky
2013 · From Random Access Memories
Rodgers' guitar, Pharrell's vocal, Nathan East on bass, and disco walked back onto the radio wearing robot helmets.
★ 7.6
Uptown Funk
2014
Six studios, eighty-two takes at the guitar part, Ronson collapsing in the studio, and fourteen weeks at number one.
★ 7.5
I'll Take You ThereThe Staple Singers
I'll Take You There
1972
Al Bell lifted the bassline from a Jamaican instrumental, and Mavis Staples turned Muscle Shoals into a pulpit.
★ 7.5
Flash LightParliament
Flash Light
1977
Bootsy passed on the bass part, so Worrell chained three Minimoogs together and gave Parliament its first R&B number one.
★ 7.5
Bad
1987 · From Bad
Scorsese shot eighteen minutes in a Brooklyn subway station, and the brass hits point straight back at James Brown.
★ 7.4
Dance to the Music
1968 · From Dance to the Music
Clive Davis wanted a hit, so Sly wrote a roll call: each player steps forward, Cynthia Robinson shouting the title.
★ 7.4
Freedom! '90
1990
Michael refused to appear, so Fincher had five supermodels lip-sync while his Faith leather jacket burned onscreen.
★ 7.4
One Nation Under a Groove
1978 · From One Nation Under a Groove
Clinton, Shider and Junie Morrison cut it at United Sound; six weeks at R&B number one, 1978's longest run.
★ 7.4
Superfly
1972 · From The Anthology 1961-1977
The soundtrack took three days at RCA Chicago; Johnny Pate arranged, Henry Gibson's rototoms set the strut.
★ 7.3
Lady Marmalade (Labelle)
1974
The Meters on rhythm at Sea-Saint, Toussaint producing, and Patti LaBelle singing a French hook she did not understand.
★ 7.3
Move On Up
1970 · From Curtis
Master Henry Gibson's congas drive it, the horns arrive like good news, and Britain sent it top twelve.
★ 7.2
Cry Me A River
2002 · From Justified
Storch's clavinet, Timbaland's beat, and a breakup Timberlake spent years declining to explain; the Grammy arrived anyway.
★ 7.1
Disco Inferno
1976
Jimmy Ellis over eleven minutes of Philadelphia rhythm, a flop in 1976 until Saturday Night Fever made it a hit.
★ 7.0
Brown Sugar
1995 · From Brown Sugar
Every instrument on it is D'Angelo's, cut at Battery Studios, and the groove barely bothers to move.
★ 6.8
Super Freak
1981
The Temptations sang backup, and the bass line James dismissed as silly later won him a Grammy through Hammer's sample.
★ 6.8
I Want to Take You HigherSly and the Family Stone
I Want to Take You Higher
1969 · From Stand!
Freddie Stone's bluesy riff, the band trading vocal lines, and a B-side that Woodstock turned into a Top 40 A-side.
★ 6.8
Ain't NobodyChaka Khan
Ain't Nobody
1983
Wolinski's synth loop, his threat to hand the song to Quincy Jones instead, and Khan sailing clean over it.
★ 6.8
Shining Star (Earth, Wind and Fire)
1975
A night walk at Caribou Ranch gave White the title, and the band their only Hot 100 number one.
★ 6.8
Happy
2013
Written first for CeeLo Green, whose label passed, cut in Miami, and given pop's first 24-hour video.
★ 6.7
