
Billie Jean
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.

Written on a tour bus in Norway and premiered at Alexander McQueen's last show, all nonsense syllables and appetite.

Beyonce found Bob Fosse's Mexican Breakfast on YouTube; three Grammys and a decade of wedding receptions followed.

Timbaland set a tumbi melody over tabla and left Elliott acres of empty space to fill.

Minogue passed on it; Bloodshy and Avant hung a Bollywood string sample over surf guitar for Spears's only Grammy.

Max Martin built it at Cheiron in Stockholm after TLC and the Backstreet Boys passed, and Spears was sixteen.

Robert Hazard wrote it in 1979 from a man's point of view, and Lauper flipped it into female solidarity.

A Steinberg and Kelly demo Rodgers disliked at first, six weeks at number one, and a seventeen-foot wedding cake.

Jackson took the chorus line from a CPR dummy named Annie, and the anti-gravity lean later earned a patent.
Gore wrote it as a harmonium ballad; Wilder and Flood put a dance beat under it over his objections.

Walden thought the demo too country, funked it up, and Houston cut it while shaking off a bronchial infection.

RedOne produced it at Record Plant, Gaga's mum-mum-mum-mah hook nodding to Boney M, and 2009's best-selling single worldwide.

Six studios, eighty-two takes at the guitar part, Ronson collapsing in the studio, and fourteen weeks at number one.
Dennis and Davis wrote it in three and a half hours, and Minogue committed after twenty seconds of the demo.

Scorsese shot eighteen minutes in a Brooklyn subway station, and the brass hits point straight back at James Brown.

Written for another singer, rebuilt with Stephen Bray for a Desperately Seeking Susan dance scene, then buried on a B-side.

Madonna and Stephen Bray built it on horns and handclaps; Fincher's Metropolis video cost a reported five million dollars.

Calvin Harris wrote and produced it alone, and Rihanna rode ten weeks at number one, 2011's longest run.

Jackson answered street harassers by demanding respect over a factory preset Jimmy Jam found on an Ensoniq Mirage.

Seven weeks at UK number one for a debut single, and a chorus that puts her friends before any suitor.

Bill Bottrell played the riff everyone credits to Slash, then rapped the verse himself after eight months of searching.

StarGate looped Michael Jackson's chant from Wanna Be Startin' Somethin', and Rihanna took it to number one in ten countries.

Tom Tom Club's Genius of Love, flipped by Dave Hall, and Carey the first woman to debut at number one.
Mary Wilson and Phyllis Hyman turned it down; Benitez cut it at Sigma Sound in a week, cowbell included.

Tom Tom Club's Genius of Love beat rebuilt as smooth British R&B, and Morrison sounding utterly unbothered about being wronged.

Twenty-two weeks crawling up the Hot 100 before number one, RedOne's synths announcing the pop decade ahead.

Martin and Shellback stomped the drum pattern on a wooden floor, and Swift turned tabloid noise into fifty weeks charting.

A demo Janet Jackson's camp turned down, which Houston rode to number one over her cousin Dionne Warwick.

Twain and Lange built it on three men who fall short, and that hooded leopard print did the rest.

Written for the Charlie's Angels soundtrack, eleven straight weeks at number one, and Michelle Williams's first single with the group.

A radio host's joke about the lineup changes, flipped into a Grammy winner Beyonce largely wrote on a flight.

Sia cut the vocal as a guide for another singer; Guetta released it anyway, and she got a number one.

Nicknamed the BlackBerry Song because every line could be text-messaged, and Timbaland trades verses instead of just producing.

Andreas Carlsson reportedly wrote the lyric during a Stockholm driving test; Cheiron's producers built pop's most decisive exit.

Ridgeley scrawled a note to his parents, doubled a word by mistake, and George Michael built a number one on it.

Written after a show in Utrecht by the band's own drummer, it walked Latin percussion onto American pop radio.

Four singers, one Rockwilder beat, and Missy Elliott turning a Labelle cover into 2001's best-selling single worldwide.