
I Go Back
Jack & Diane, Only the Good Die Young, Rock'n Me: the songs Chesney says drag him back.

Jack & Diane, Only the Good Die Young, Rock'n Me: the songs Chesney says drag him back.

Gonzalez wrote it with his brother Yann, and Ken Thomas produced an album that worships John Hughes and eighties synths.

Sean Mackin's violin cutting through the guitars, and an avenue that is really a boulevard in Atlantic Beach, Florida.

Written for Rihanna, passed to Mike Will Made It, and the la-di-da-di hook earned Slick Rick a songwriting credit.

Justin Meldal-Johnsen co-produced at Sunset Sound, and Gonzalez turns unembarrassed optimism into a wall of synthesizers.

An acoustic guitar riff opens it, then Max Martin and Shellback's synthesizers turn a birthday into a full night out.

Six weeks at number one, and it began with Ruess singing the chorus, tipsy, at the Bowery Hotel.

Del Rey wrote it with Lou Reed in mind, then sang the Brooklyn hipster caricature straight, deadpan and unbothered.

Sounwave's woozy loop, Ab-Soul in the margins, and Lamar naming a generation's numbness on his debut album.

Guitars pushed to sound like synthesizers, and a Roman Coppola video that borrows its neon from Tron.
John Paul Jones scored the strings, Scott Litt named Queen as the model, and the lyric hands kids the wheel.

Holly Knight and Mike Chapman wrote it as a ballad; Neil Giraldo's drum machines turned it into dance-rock.
Two days on a dance version, scrapped for synth pads and a Cold War fear of growing old.

Einziger's acoustic guitar over a house drop confused the crowd at Ultra in 2013, then it became Shazam's most-searched track.

Earl Palmer on drums, Guybo Smith on bass, a B-side flipped into a number six hit in Britain.
The album's opening shot, cut with Cale at the Hit Factory, and Iggy making boredom sound like a threat.

Recorded at IBC in October 1965, it stalled at 41 in Britain, then became the mod movement's calling card.

A 1946 film tune reborn in Riddle's arrangement on the album that topped Britain's first LP chart, Sinatra audibly beaming.
Joey Ramone spliced a jungle-comics heroine with punk's primal charge, and Britain sent it to number twenty-two.