
Burning Heart
Stallone commissioned it for Rocky IV, and Peterik and Sullivan answered with East-versus-West dread over a marching riff.

Stallone commissioned it for Rocky IV, and Peterik and Sullivan answered with East-versus-West dread over a marching riff.

Ced-Gee of Ultramagnetic MCs built the track; a Bronx rapper aimed it at Compton and lit the coastal rivalry.

A video at Bethesda Fountain, a six-dollar hat, and a hook that pushed the album past five times platinum.

Grande recorded it first and disliked her take; Jessie J took over, Minaj added a verse, all three stayed.
Bud'da's beat, Ice Cube, Mack 10 and WC in formation, a West Coast declaration that topped the rap chart.

Holt's rocksteady original for Duke Reid, White Rum Raymond on violin, and a chorus Blondie later took to number one.

CeeLo Green produced it for Tori Alamaze first, and the Dolls took her taunt to number one in fifteen countries.

Boi-1da, Vinylz and Frank Dukes built the boast; Nineteen85 and 40 flip a James Blake sample for the reckoning.

Easy Mo Bee built that beat for Apache, who was on tour; Mack took it and made 1994's sparest hit.

Courtney Love called her a cheerleader, so Stefani and the Neptunes built the taunt into pop's first million-selling download.
First record to lift the Synthetic Substitution break, which hip hop never stopped using, with Kool Keith rhyming deliberately off-beat.

More Bounce to the Ounce plus a Jungle Boogie sample, cut in West Babylon, and EPMD sounding utterly unhurried.
Brandy got the idea from a Jerry Springer love triangle, and Darkchild's clipped beat held number one thirteen weeks.

An upright bass loop, a playground chant for a hook, and a remix that so eclipsed the original nobody plays it.
Marley Marl on the beat, Kane's debut twelve-inch in 1987, and a rapid-fire delivery that reset the bar.

KRS-One produced it himself over a Stanley Turrentine loop, from the first album made after Scott La Rock's murder.

Uncleared, the Enya sample nearly brought a lawsuit; she heard the finished record and chose to settle instead.
James Brown horns looped, an answer to MC Shan's The Bridge, and hip hop's birthplace claimed for the Bronx.

RZA cut it at Firehouse Studio on almost no budget, Method Man co-produced, and the chorus became the Clan's motto.