Father Christmas
Ray Davies cut it at Konk in 1977, a department store Santa mugged by kids who want jobs, not toys.
Ray Davies cut it at Konk in 1977, a department store Santa mugged by kids who want jobs, not toys.
Reed's parade of characters with nothing to their names, sung by Doug Yule over seven closing minutes of Loaded.
Bryan Dobbs looped Lakeside's 1980 hit, and Coolio rode it to number three dreaming of somewhere trouble-free.

Wyclef built it on a Headhunters drum break, Santana's guitar answering the Product G&B, ten weeks at number one.
Everlast left House of Pain, picked up an acoustic guitar, and topped both rock charts with three street portraits.
Treach turned a fatherless East Orange childhood into verse, with Marley's chorus supplying the only comfort on offer.

Jesse Stone's song, cut once McPhatter rebuilt the group from scratch, topped the R&B chart for eleven weeks.

Miller ran a Stratocaster through an Echoplex for that staggered triplet echo, and the synthesizer drifts like weather.

Washboard, kazoo and a gut bass in the lyrics, Fogerty's imaginary jug band playing for nickels.

DJ U-Neek's beat, Cleveland voices harmonizing at double speed, and welfare day reimagined as a neighborhood holiday.

Cool and Dre's Trammps flip earned two Grammy nominations and stalled at two, blocked by 50 Cent's own 'Candy Shop'.

Hornsby wrote the words first in a Van Nuys garage; that piano figure later became the spine of Tupac's Changes.

Kanye West built the beat from Nina Simone's "Sinnerman", and Kweli turned survival into his commercial breakthrough.

An Ini Kamoze sample under it, Stephen Marley at the desk, and verses answering the postcard version of Jamaica.

Recorded in 1992, shelved, then remixed after his death over Bruce Hornsby's piano; a posthumous Grammy nomination followed.
The 45 King looped an Annie showtune, and Jay-Z cleared it with a letter he admitted was a lie.

Cut in Leamington Spa on eight tracks, the flute squeezed onto full brass, number one while Britain burned.

A Zapp groove under the Five Stairsteps hook, dedicated to Latasha Harlins, and rap's warmest tribute to Black women.

DJ Dahi slowed Beach House's guitar intro and ran it backwards, and Jay Rock's verse steals the whole record.

Calloway forgot the words on a Cotton Club broadcast, by his account, and the hi-de-ho call and response was born.