
Lake Michigan
Roger Moutenot produced the album, Zach Rogue wrote every word, and a Zune advert gave this one legs.

Roger Moutenot produced the album, Zach Rogue wrote every word, and a Zune advert gave this one legs.

Paul Epworth produced it, and Foster points the synth hook at everyone too eager to conform.

Judd Lander's harmonica, six weeks at number one in Britain, and Boy George singing about pleasing everybody.

Played live since 1991 and cut twice on record, it rides Boyd Tinsley's violin hook and Beauford's snare.

Davies wrote it after seeing his sister's house on an Australian housing estate, turning suburban comfort into a cage.

Charles Stone III's video walks the group through every rap-video cliche, which is exactly what the record is arguing.

A pun on two Marys, overheard from a co-writer's mother, seeded a debut single that won a Grammy.

Welch keeps the arrangement to two guitars, and a beauty queen decides she will do right, just not yet.

Wright wrote and produced it, took it to number three R&B, and nineteen years later N.W.A sampled the groove.

Musgraves wrote it with Brandy Clark and Shane McAnally, a shrug at conformity the CMAs voted Song of the Year.

Twelve weeks atop the modern rock chart, and Bennington turning somebody else's expectations into a chorus millions shouted back.

A joke about radio playlists, built on Vic Juris's "Horizon Drive," and it became Gang Starr's most recognizable record.

Malkmus turned a fake band advert into a hook, and Pavement's snipe at image became their biggest hit.

Strummer and Simonon were in the 1976 Notting Hill Carnival riot; the single ran under two minutes and reached thirty-eight.

Iovine wanted another "My Name Is," so Eminem wrote this hours before the album was due. It hit number four.
Prince Paul flipped Funkadelic's Knee Deep; De La Soul resisted the beat, then got their only R&B number one.

Cobain aimed it at fans who missed the point, and Kerslake's video staged them on a mock Ed Sullivan Show.
T-Minus made the beat for Trey Songz, who passed; Lamar turned the rejected demo into a study of addiction.

Radiohead cut version after version and kept the first take, glockenspiel and all, a lullaby about suburban despair.

Simon had it as Mrs. Roosevelt with nonsense syllables for a verse, and it won Record of the Year.