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Jerry Harrison of Talking Heads produced it, and Roberts sang three verses about strange childhoods in a startling baritone.

Jerry Harrison of Talking Heads produced it, and Roberts sang three verses about strange childhoods in a startling baritone.

A father narrating his son's boyhood, written by Dillon and Chamberlain, and Strait's thirty-sixth number one.

Richards wrote it after a talk with his ten-year-old neighbor, and calling God "her" brought death threats.

Sub Pop led The Shepherd's Dog with this, the record where Beam's whispered four-track folk grew a full band.

Brian Deck built a loop for Beam to layer guitar over; Stewart reportedly chose it for Twilight's prom.

A homesick lullaby from No Need to Argue, with a string arrangement O'Riordan scored herself over Noel Hogan's chords.

Linda Creed wrote the words while ill with cancer, and died weeks before Houston's version reached number one.

A rolling piano, Butler's boyhood in The Woodlands outside Houston, and an album he called a letter from the suburbs.

Schneider got the fuzz from tube preamps and compression, not pedals, and Mangum sings childhood into two minutes flat.

Cool and Dre's Trammps flip earned two Grammy nominations and stalled at two, blocked by 50 Cent's own 'Candy Shop'.

A round about snow that the band never once played together, its voices stacked from first takes in production.

One of three Deja Vu tracks the four cut together, Young keening about the Ontario town of his childhood.

Goldwasser wrote the music at nineteen in a dorm room, an exercise in stereotypical pop that outgrew itself.

Fogerty wrote it in a California apartment, never having set foot in Louisiana, and still summoned the swamp.

Hammett built the riff after Soundgarden's Louder Than Love, and Bob Rock sent Hetfield back to write a child's nightmare.

Two takes in different keys and tempos spliced into one, a Mellotron haze over Lennon's Liverpool childhood.