
The Hardest Thing
David Frank and Steve Kipner handed a boy band a breakup song about ending an affair; it reached number five.

David Frank and Steve Kipner handed a boy band a breakup song about ending an affair; it reached number five.

J.R. Rotem looped Imogen Heap's Hide and Seek under a debut single, and Derulo had a number one within months.

Nic Nac's beat borrows from "Money Ain't a Thang," and three regional versions carried it thirty-six weeks on the chart.

Drummer Stan Frazier sang the hook on his way out of the studio, and the chorus borrows Malo's Suavecito.

Jaguar Wright's hook over Philadelphia's finest, and lyrics so tied to The Best Man the film edited out a spoiler.

Epic wanted a different follow-up single; the band held out for Richrath's chain of hearsay and reached number five.

Dallas Austin wrote it, produced it, played bass and keys, and slipped a Sinatra snippet under Cantrell's revenge.

A Hawaiian DJ pulled it off an MP3 site and put it on air; Britain's biggest seller of 2001 followed.

StarGate and Ne-Yo tracked the ballad in three studios on two continents, and it vaulted from fifty-three to number one.

Smith and Jimmy Napes wrote it about someone else's marriage, and Simon Hale's strings carry the slow march.

Jam and Lewis wrote it in Minneapolis, and Oakey called that vocal the best he ever gave.

Guitarist John Spinks wrote it, Tony Lewis sang it, and producer William Wittman pushed the band past their softer demo.

Blue Oyster Cult passed, .38 Special passed, and Adams kept the riff; the first full take made the record.

Cronin wrote it after his wife confessed an affair; Richrath's Les Paul turned a piano ballad into a number one.

Goffin and Masser's song, first recorded by Marilyn McCoo and Billy Davis Jr.; Tom Scott's saxophone, Houston's first number one.

Danja's guitar riff started it in the studio; Timberlake's third straight number one turns betrayal into slow burn.

Pizzicato cello, a title lifted from Douglas Coupland, and a circus wedding video that won Video of the Year.

Rodgers and Edwards wrote the groove, Ross remixed the album to lift her vocal, and it topped the Hot 100.